Skip to main content
Steve Aoki
No change
Position: 
10

Questions Top100 DJs 2015 - Jon Dommett - 2015-11-11 16:18

Style: 
“Electronic music.”
Best known for: 
“'Neon Future II'.”
Tune of the year: 
“Eric Prydz 'Opus'.”
From: 
Newport Beach, US
Breakthrough DJ/producer of 2015: 
“KSHMR."
What’s the most important skill a DJ should have?: 
“Being connected.”
Is the future still bright for EDM?: 
“I see a Neon Future.”
Does the constant travelling and DJ lifestyle ever take its toll on you mentally?: 
“Yes, that's why it requires a balance. You can't just go hard every night... you can't just be the kid in the crowd who's there to have the time of their life and go all out. There's a lot of things you can do to maintain that balance... I don't even drink, period, or do drugs... so that's where I get my stamina.”
What cause is closest to your heart?: 
“Brain research and future brain science.”
Which club would you like to bring back from the dead?: 
“The Hacienda.”
Why aren’t there more women in the Top 100 DJs poll?: 
“That's a good question. That's a big problem, it's one of the biggest problems in our world. It's very male dominated and it's unfortunate. There's a lot of different reasons, I guess...”
What do you think of DJs who use ghost producers?: 
“I don't really have a problem with it so much...”

“It's like you're driving a Ferrari at full speed, and that's fun and I love that energy; that adrenaline,” Steve Aoki tells DJ Mag over the phone from his car, but not while driving (we hope). He's speaking about the difference between EDM/electro sets and playing deeper, mid-tempo stuff to people.

“With house, it's a different kind of energy,” he continues. “You're not going full force, you have a really great groove that you can stay in; that can keep you in the same place and it's continuous, it lasts longer and it's a different kind of flow. It's nice to change it up. You're not speeding down the freeway the whole time.”

The reason for this discussion is not because DJ Mag is contemplating buying a new sports car — or considering what to listen to while driving it. It's because the Dim Mak boss plans to release a series of four house tracks early next year; each inspired by another season on the White Isle.

“Being in Spain for four months, there's a lot of English people who go there — and from mainland Europe — you really get a sense of what people are accustomed to.”

Tracing his roots back to DFA and LCD Soundsystem, it was the dawn of Ed Banger that heralded Dim Mak's natural disposition towards distorted big-room sounds. However, it was a tipping point reached two years ago that prompted EDM DJs/producers to sprout out into different directions, he says.

“Sounds became about, 'How much bigger can you get?'. 'How much louder can you get without it becoming too distorted, too saturated or whatever?' And we got answers to those questions two years ago.”

Since that point, we've seen future house, trap, tropical and garage/bass seep into the mainstream world of EDM and it's all part of its evolution, Aoki points out. “Nobody wants to do the same thing over and over again,” he says. “It's very rare to find an artist that does that.”

As part of his evolution, Steve has on the one hand found himself reverting back to the underground. On the other, however, the second instalment of his sophomore artist album 'Neon Future' earlier this year saw him working with various vocalists — the likes of Snoop Lion, Linkin Park and Rivers Cuomo — to make a series of crossover party/pop tracks. 

Followed by 'Neon Future Odyssey' — a deluxe version featuring five new collaborations with the likes of Headhunterz, Borgore and Marnik — last month, it might not be a pathway to more radio play across The Atlantic — something which has been an “uphill struggle” due to “stigmatisation,” he believes. It remains to be seen if his upcoming house stuff will be. 

Topics

Subscriptions

Get a copy of DJ Mag delivered direct to your door and inbox every month