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Ummet Ozcan
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Questions Top100 DJs 2015 - Jon Dommett - 2015-11-13 15:50

“Electronic music.”
Best known for: 
“My releases on Spinnin’ Records, my sound design and my DJ sets.”
Tune of the year: 
“‘The Hum’.”
Turkish descent but born and raised in The Netherlands
Breakthrough DJ/producer of 2015: 
“Robin Schulz.”
What’s the most important skill a DJ should have?: 
“He should smile a lot!”
Is the future still bright for EDM?: 
“It couldn’t be any brighter.”
Does the constant travelling and DJ lifestyle ever take its toll on you mentally?: 
“I can cope with it pretty well, tour life is heavy but I get a lot of happy faces from my fans in return. And that keeps me going!”
What cause is closest to your heart?: 
I feel strongly for animals and compassion for every life form on earth.”
Which club would you like to bring back from the dead?: 
“The infamous Studio 54 in New York.”
Why aren’t there more women in the Top 100 DJs poll?: 
“It seems to be a man’s world… but great DJs like Nervo and Krewella should trigger more female talent to step up.”
What do you think of DJs who use ghost producers?: 
“It is inevitable, but it doesn’t really bother me.”

Ummet Ozcan's techno-influenced trance made something of a seamless transition to gain huge popularity amongst EDM fans, but that's come as no surprise to the man himself. “I am not bound to any musical conventions, I just produce whatever I like. People tend to put things in boxes. I personally don’t do that,” Ummet tells DJ Mag.

Of course, not every DJ or producer actually has a hand in creating the things that make the actual noises that are used to create tracks either, but Ummet is famous for providing softsynth and soundbank designs for some of the biggest music software houses too.

When it comes to making your own music, Ummet has a tip or two for aspiring producers: “There are certain elements that work better for your song than others, but the magic appears only with the right parts that fit the puzzle… but let’s say it helps to have a festival mindset before you start producing,” he advises.

Citing Tomorrowland 2015 in Belgium as one of the highlights of his past year of playing out, plans for 2016 look likely to see Ummet spending more time in the studio. “Producing is sometimes hard to combine with tour life,” he explains, before quickly adding: “My records are equally important. So that is one of my aims for 2016.”