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On review aggregator website Rotten Tomatoes, the film holds an approval rating of 100% based on 14 reviews, with a weighted average of 8.5/10.[6] On Metacritic, the film has a weighted average score of 87 out of 100, based on 4 critics, indicating "universal acclaim".[7]

The four lead actresses shared the best actress award and the film earned a special mention for its script at the 2015 Locarno Film Festival.[8] The film was voted the third best Japanese film of 2015 in the Kinema Junpo poll of critics.[9] Upon its release in the United States, Richard Brody of The New Yorker wrote that "Hamaguchi is a genius of scene construction, turning the fierce poetry of painfully revealing and pugnaciously wounding dialogue into powerful drama that’s sustained by a seemingly spontaneous yet analytically precise visual architecture".[10] He selected the film as one of the 10 best of 2016,[11] and later as the best Japanese film of the 21st century.[12] Vadim Rizov also held the latter opinion, saying, "The logline is that it’s a drama about five Japanese women charting their friendship, using duration to build character depth, and t

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 100% based on 14 reviews, with a weighted average of 8.5/10.[6] On Metacritic, the film has a weighted average score of 87 out of 100, based on 4 critics, indicating "universal acclaim".[7]

The four lead actresses shared the best actress award and the film earned a special mention for its script at the 2015 Locarno Film Festival.[8] The film was voted the third best Japanese film of 2015 in the Kinema Junpo poll of critics.[9] Upon its release in the United States, Richard Brody of The New Yorker wrote that "Hamaguchi is a genius of scene construction, turning the fierce poetry of painfully revealing and pugnaciously wounding dialogue into powerful drama that’s sustained by a seemingly spontaneous yet analytically precise visual architecture".[10] He selected the film as one of the 10 best of 2016,[11] and later as the best Japanese film of the 21st century.[12] Vadim Rizov also held the latter opinion, saying, "The logline is that it’s a drama about five Japanese women charting their friendship, using duration to build character depth, and t