Form Submission: Questions Top100 DJs 2015 | DJMag.com Skip to main content
What’s the most important skill a DJ should have?: 
“You will probably not expect me to say this, but I think it's probably the ability to produce your own tunes.”
Is the future still bright for EDM?: 
“Well firstly, I don't think it's really a relevant term, because I'm not sure what EDM even stands for anymore — no one can strictly define its sound. People forget that music is always a progression — listen to The Beatles' first album and listen to their last album. Of course, things change, sounds change, an artist progresses. EDM is just a stage in dance music’s latest progression, it gets a lot of unnecessary hate.”
Does the constant travelling and DJ lifestyle ever take its toll on you mentally?: 
“Yes, of course. I think it does on everyone, but I've definitely had times when I felt like I'm going totally crazy. I’ve combated it by going to speak to someone, a counsellor, someone objective. It really helped and he also recommended a few books for me to read: Daniel Kahneman Thinking Fast & Slow and Ian Robertson The Winner Effect.”
What cause is closest to your heart?: 
“Cancer, a lot of my family is really affected by it. I have a lot of history of it in my family and it's a terrible disease. There's lots of things wrong with the world, of course, but this is the one most in my mind at the moment.”
Which club would you like to bring back from the dead?: 
“I think Turnmills in London, I remember first going there in 2000 and it was insane! I first played in the UK at Cream in Liverpool in 2000 though, and then went to Turnmills a few months later. It was pretty dark and grimy in there, but iconic! Gatecrasher was amazing too!”
Why aren’t there more women in the Top 100 DJs poll?: 
"I really think there needs be more girls out there. When I did A State Of Trance, I did a room called A State Of Pink where I highlighted some of the women on Armada, the great female DJs out there!”
What do you think of DJs who use ghost producers?: 
“I think it's wrong if someone puts a name on a track they had nothing to do with, that they weren't even in the studio for. I've never used a ghost producer.”