For Elle Shimada, the concept of home is ever-changing; it is the current which flows through her debut album, ‘Home ≠ Location’, released on Australian...
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Results for: melt exit
Stepping away from EDM, musical foundations, why Ibiza still trounces Las Vegas, and more...
Kölsch is a man of taste. Well over six foot tall and wearing his signature black Panama hat, he exudes warmth and charisma when we...
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Get acquainted with Elle Shimada, the Tokyo-born, Melbourne-based artist exploring the meaning of home with luminous electronic beats and shimmering vocals
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In this week’s Fresh Kicks mix, Belfast’s very own Carlton Doom delivers a 60-minute archive of his own productions, in the form of intoxicating breaks...
We throw a few curveball questions the way of DJ Monki...
From Rinse intern to Radio 1 regular, with a weekly Sunday night/Monday morning slot from 1-4am, Monki — aka 25-year-old Lucy Monkman — is the...
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Leon Vynehall sculpts a mix of experimental sounds, smoky house and peak-time techno for the On Cue series, and speaks to Ray Philp about finding...
It'd be rude not to really...
Let's cut to the chase. While your nan might be happy with her champers and 'Auld Lang Syne', we know you lot like New Year...
We shine a light on the names destined to have it large this year...
Last year was the one of many highs and lows. From Brexit to the return of breaks, it had moments to forget and plenty to...
We catch up with Ashley to learn about his DJ roots, new 'Yardism' solo project and more...
Ashley Beedle is a don. In a time when the dance world is riddled with superstar DJs, touting supersized egos, and bitching like babies at...
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In-demand DJ and radio host, producer of sound system shakers for labels like Timedance and Ilian Tape, promoter and label co-founder at re:lax, Lauren Bush, aka re:ni, has become a seemingly unstoppable force in UK club music through a combination of hard work and self-belief. Alongside a pulse-quickening Recognise mix, she speaks to Jasmine Kent-Smith about formative club experiences, the importance of role models, and the pursuit of authenticity
Proof that the scene is still going strong
Despite a succession of club closures during 2016, the UK scene has remained bullish. In London, Fabric has been saved to everyone’s relief and a...
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Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...
Josh Wink, Dimitri from Paris, Catz 'N Dogz, Richy Ahmed...
DJ Mag Ibiza chats with some of world’s biggest DJs — from Booka Shade to Josh Wink — to ask the question: “What’s your most...
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Hunee is the fearless DJ with super-eclectic taste. As happy dropping disco, African rarities, vintage Italo, boogie or up-to-the-minute electro, he’s refused to compromise on...
It’s mid-summer 2016 and Jeremy Underground is spinning on the main stage at Farr Festival in Bygrave Woods. High above the packed crowd in front...
Modular software delight
In the late '90s there was a perception of DJs as vinyl-hugging technophobes who relied on a 20-year-old turntable design and swore by headphones launched in the '80s. It used to be an utterly fair stereotype — after having reviewed the very first Traktor back when it ploughed into the scene, trying to convince my clubland chums that it was “the future” I was met with pity and derision.