Few tracks capture the exciting crux and flux of mid-2000s house and techno quite as succinctly as Âme’s ‘Rej’. A palpitating journeyman beacon flashing urgently...
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Crossing over to practically every genre, DJ and dancefloor in 2005, ‘Rej’ is an evergreen classic. Ahead of the 100th release on Innervisions, Âme discuss...
The funding of independent radio stations is always precarious, but the current cost-of-living and energy crises threaten their survival. Following the shuttering of Worldwide FM and Bristol’s SWU FM, we look at the challenges facing these beloved cultural lifelines
As DJs, producers and labels all get their biggest musical bombs ready for Miami’s annual musical showcase, DJMag looks back at the history of Big...
Is it the dance music equivalent of the Holy Grail or a merely an empty, outdated myth? That’s the question hanging over the concept of...
Jeddah-born, Dublin-based DJ Moving Still records a hi-NRG mix of edits and originals, and speaks to Gabriel Szatan about the thriving network of “Arabic electronic"...
The trance artist distanced himself from the group in June 2018, citing “mismanagement”...
Former Dash Berlin member Jeffrey Sutorius, has issued a second statement regarding his split from the longstanding trance group in June this year.
At the...
Huxley talks longevity, collaborations and steering clear of the pop-dance route...
The last few years have seen seismic shifts in dance music culture. Large swathes of the scene seem to have abandoned their heady underground ideals...
Funk-dripped drum & bass head plays us his most inspiring tracks
Always that most steadfastly independent genre, today drum & bass is splintered into a panoply of micro camps. In one corner, the giant, fizzy-pop electro chords and high fructose rushes of labels like Hospital; in another, the clipped, dark minimalism and sub bass caverns of its most underground soldiers, the Critical crew.
Conversations around automation and DJing are tried-and-tested comment triggers — the ubiquity of the tedious ‘press play’ criticisms and ‘sync button’ debate attest to that. But...
Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...
From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness
Independent record labels are thriving by adapting to new models and branching out into management, distribution, publishing and clothing. DJ Mag finds out more...
If there’s any sector in dance music that has had to be genuinely run ‘for the love’ and ferociously adapt to survive the music industry’s...
Joseph Capriati is considered one of the world’s foremost techno technicians — but the veteran artist is much more than that, with the sounds of deep house, tech-house and more running through his sets and productions. With a newfound creative energy and sense of musical freedom, he’s as happy as he’s ever been — but if it wasn’t for a twist of fate, he wouldn’t have a career at all, as he explains in a wide-ranging conversation
Miami bass and electro innovator Danny Daze takes DJ Mag’s Megan Venzin on a tour of his home studio and some lesser-known pockets of his hometown, and chats about his Cuban-American heritage, and mentoring the creators of South Florida’s next big sound
DJ Mag speaks to Young Urban Arts Foundation about their vital work using music and the arts to help young people from hard-to-reach areas
On the heels of announcing a new album due out later this year, German artist Monolink chats to DJ Mag about his musical history and...