There are points in an artist’s career where they feel on top of the world. Moments when the years of hard graft at the unforgiving...
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Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...
An intimate look at the bass wizard behind Flux Pavilion reveals a magnetic soul who uses his feelings as a force to drive his creations
Flux Pavilion is a man in touch with his feelings. He prefers love over hate, chords over kick drums, and wants desperately to play for...
With a new EP driven by the rave and jungle sounds that first inspired her, and her Batty Bass club-night revived, Hannah Holland is having...
Rewind to the early noughties in London: Turnmills and The End were still in full swing, and Hackney still had a lawless feel with its...
Leftfield beatsmith on his his funky new library compilation.
You know how it is. That epic, hip-hop crime drama series you’ve been directing is almost finished. But you just can’t find the right track...
Dealing in experimental sci-fi soundscapes as much as it does club bangers, Mexico City’s Infinite Machine has spent a decade at the cutting edge of...
Whether you love it, hate it or (be honest) pretend to hate it, there’s no denying the colossal impact David Guetta’s music has had on...
David Guetta is on a deadline. Posted up at his Ibiza estate, the French producer is busy at work. He doesn’t seem to be enjoying...
Dedicated to his parents and featuring many d&b friends, it's a family affair...
“In Brazil, we have a lot of passion,” urges DJ Marky, via a Skype call from his South American homeland. The veteran DJ is...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Brandon Weems and Craig Handfield, together known as musclecars, are core members of a group of Brooklyn DJs and producers who have been keeping things soulful in New York’s clubbing universe. But with the release of their debut album, ‘Sugar Honey Iced Tea!’, the duo goes further, placing their work as part of the full lineage of Black music and experience
The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge
Norwich-based DJ and Gonzo's Two Room resident Effy Mai drops a decades-spanning mix of electro, chuggy bangers and abstract club tracks for the Fresh Kicks series, and chats to Amy Fielding about Gonzo's' sense of community, early gig nightmares and her first set of Technic 1210s
Object Blue's debut EP on Tobago Tracks is an assertion of presence unlike any we've heard so far this year – In her Fresh Kicks...
Object Blue's debut EP 'Do you plan to end a siege?' opens with a spoken passage, translated to read as an assertion of liberation, of...