In late 2015, the animated TV series South Park aired an episode called ‘Safe Space’. The phrase had been used in activist communities since the...
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Features
Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...
Simply huge...
Tomorrowland has locked its full line-up for 2017, with the festival running on two consecutive weekends from 21st to 23rd and 28th to 30th July...
Crazy P are more than just a band: they're a phenomenon, a live unit of astonishing charisma, an act that unite club DJs, pop fans...
“Yes, absolutely, every single time!” Crazy P’s front woman Danielle Moore croons down the phone line to DJ Mag. “I still get nervous onstage...
We catch up with Ashley to learn about his DJ roots, new 'Yardism' solo project and more...
Ashley Beedle is a don. In a time when the dance world is riddled with superstar DJs, touting supersized egos, and bitching like babies at...
The year's essential kit
After the success of the DJ Mag Tech Awards of 2012 where we saw over 100,000 votes cast on the bits of kit that are...
The year's essential kit
After the success of the DJ Mag Tech Awards of 2012 where we saw over 100,000 votes cast on the bits of kit that are...
We chat Bicep in light of their We Love Space CD
Bicep boys, Matt McBriar and Andy Ferguson, are childhood friends from Belfast and went to the same school through their teenage years before taking the leap to different universities. They recently mixed the DJ Mag covermount. Out now.
DJ Mag join frontwoman Cata Pirata and the band in Amsterdam to find out what exactly spurs their voyages across the atlas...
From their Amsterdam base, Skip & Die roam the world looking for fresh sounds to inject into their raucous global bass 'n' beats. And with their debut album 'Riots In The Jungle', they're not afraid of stirring a little insurrection. DJ Mag join frontwoman Cata Pirata and the band in their home city to find out what exactly spurs their voyages across the atlas...
Features
If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge
Apollonia are the gods of groovy, stripped-back underground house music. The French trio — consisting of Dan Ghenacia, Shonky and Dyed Soundorom — have been...
It’s late May 2017 in Ibiza, and the end of a long week of opening parties on the island. Shortly after Apollonia close the terrace...
We meet futurist techno maestro Richie Hawtin for our ADE issue...
Electronic music’s explosion owes a great deal to futurist techno maestro Richie Hawtin. Not only has he made and played some of the most forward-thinking...
Andy C explains how he's always kept the faith with drum & bass...
“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...
Features
Allen & Heath’s Xone:92 celebrates its 20th anniversary this year. Remaining an industry standard, the mixer has stood the test of time. Here, DJ Mag’s tech editor, Mick Wilson, takes a look at the history, the heritage, and the enduring importance of this well-loved, if polarising, piece of DJ technology
Features
Returning to the city after a five-year hiatus, Simple Things delivers a 10th anniversary programme that celebrates Bristol’s vibrant music scene whilst welcoming a kaleidoscope of international sounds into the fold. DJ Mag’s Olivia Stock reports back
Features
How Nicolette's ‘Let No-One Live Rent Free In Your Head’ mapped the future of electronic songwriting
On 1996's ‘Let No-One Live Rent Free In Your Head’, Scottish singer, songwriter and producer Nicolette worked alongside 4Hero’s Dego, Plaid, Alec Empire and Felix to create an album that mixed jungle, trip-hop, industrial techno and avant-pop into a singular work full of sharp, incisive lyricism. Ben Cardew explores the legacy of the album, and its vision for the future of electronic music