Flume fills arenas, smashes stage props with sledgehammers, and builds booming soundscapes with the high-tech gear that fills his ever-expanding studio. Harley Edward Streten, on...
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Results for: DJ Kool Herc
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Influenced by hip-hop and halftime drum & bass, Ivy Lab and their label 20/20 LDN have a new vision for future beats. With their debut...
"I didn't really want to do it. Why on earth would I want to hook up with two kids?" laughs Gove Kidao. One half of...
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Caught between the demands of being an internationally-renowned performer and his desire for a quiet life, Australian producer Flume found balance upon returning to his homeland. Amongst nature, and with a restored sense of wellbeing, he completed his most ambitious album to date, 'Palaces'. Megan Venzin learns its story
Redlight - the artist formerly known as Clipz - is flipping the dance script, shattering genres into a million pieces and pioneering a mongrel music...
As acolytes of electronic dance music, we tend to consider ourselves a fairly fortunate bunch. Within the panoply of different styles, genres and sub-strands, it's...
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Nine essential documentaries, focused on the classic '80s and '90s hip-hop that laid the foundation for rappers to build a world-conquering movement
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‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career
Amsterdam’s record shops are renowned in the European dance scene, crammed with cuts that have made local DJs into stars and ensured that Dekmantel festival is...
In a candid interview, the Hot Creations creator opens up about music and life...
For Jamie Jones, music is a reflection of his feelings and raving is a family affair. With his devotion to good vibes and a creative...
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Award-winning radio presenter and proponent of the diversity-focused Radio Silence movement, Kay-Lee Golding, explores the lack of Black representation in mainstream UK radio
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The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...
We pick the brains of the Berlin-based tech producer, TJ Hertz...
Objekt is TJ Hertz — a Berlin-dwelling producer who's gained notoriety with a series of carefully crafted dancefloor focused 12s for a select group of...
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I. JORDAN has stormed the electronic music world in the last couple of years with their energising productions and DJ mixes. Their 2020 breakthrough EP...
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Electronic maverick Squarepusher’s new album finds him breaking his own rules, and drawing from the past for inspiration — but being him, it’s no simple nostalgia exercise. DJ...
Ibiza may be a small and perfectly formed island but with its many layers of hidden charms and nocturnal naughtiness it can be a tough...
1. Steady on son...
Even if you're only here for a week, like anything in life the Ibiza experience is at its best when you...
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Claire Francis travels to Stihia festival to find an event that serves as a vital platform for emerging DJs from within Uzbekistan, as well as supporting local sustainable development
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today