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Results for: Mangle

A fusionist known for intense bass and intricate drumplay, DJ and producer Hagan has built a name for himself by blending the sounds of UK...

Hackney-based Nervous Horizon has established itself as one of the most exciting and forward-thinking club labels in London. For this month’s The Sound Of, two...

Bristol-born Banoffee Pies Records is best known for its sonic diversity, V/A compilations and plethora of series and sub-labels. But as its founder Ell Weston...

Working for free is rife among producers and engineers, with 77% having worked for free in the last 12 months alone. But is it just...

Last year, the Music Producer’s Guild (MPG) released a report that revealed that, in the past three years, 71% of sound engineers and music producers...

Dance music's renaissance man graces the cover of DJ Mag USA...

From new ventures in live performance to reunions with Digweed, fresh collaborations to the birth of a baby, the godfather of progressive is busy building...

Andy C explains how he's always kept the faith with drum & bass...

“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...

It’s true that house music would still exist if Marshall Jefferson hadn’t been around to guide it — but it’s equally correct to say that without Jefferson...

Memories fade over time, and what memories remain become more and more shaded by personal experiences and personal interests. That helps to explain, in part...

Inside the UK Afro house renaissance

The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity

Afro house is steeped in the percussive materials of South Africa’s townships. For decades, its polyrhythms played out on traditional African instruments — bongos, congas...

Sam Shepherd, aka Floating Points, is returning with a new album — ‘Crush’, out this month — and a vital live show that he’ll be debuting this autumn. Born out...

In late summer, the rain falls in great sheets, and DJ Mag dives under the cover of shop awnings in Shoreditch, East London. On a...

Brazilian DJ and producer ANNA's techno sound marries kinetic grooves with a wealth of emotion. With gigs all over the map and some of the most...

As someone who’s been DJing since she was 14 years old, it’s rare that Brazilian techno star ANNA is lost for musical inspiration. But DJ...

DJ Mag talks his new LP as Deadstock 33s & scores a first listen. 

Still brimming with the enthusiasm of a teenager who witnessed acid house's explosion, Justin Robertson's second album as Deadstock 33s is a dark, psychedelic voyage...

After a trip to South Africa, an engagement with politics and a need to explore new musical avenues, these Bears have teeth.

“If someone said to you ‘Jesus is drinking in a pub in Elephant and Castle’ you’d go and have a look wouldn’t you?” Well, bearded...

With a host of monikers and diverse productions to his name, DJ Pierre has driven the development of dance and is still at the forefront...

Phuture, Pfantasia, Phantasy Club, Photon Inc, Audio Clash, Darkman, Doomsday, P-Ditty, The Don… all past aliases for Nathaniel Pierre Jones, better known as DJ Pierre, the man credited with kickstarting a movement in 1987 with ‘Acid Tracks'.
Although a seismic claim to fame, this happened over a quarter century ago, most recently reactivated on Terry Farley's monumental 'Acid Rain' box-set. But, since then, Pierre has continued to chart one of the most idiosyncratic paths in house music, undyingly committed to developing new sonic mutants to send crowds bananas on his punishing schedule of globe-trotting DJ gigs.

100 years of electronic music

In March 1913 Luigi Russolo, the Italian futurist, stormed out of a classical concert in Milan and published an open letter demanding a new form of modern music.