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Results for: Luke Slater

Lukas Wigflex and the team behind his eponymous party brand have offered the people of Nottingham countless opportunities to let loose over the past decade...

“The first few events were all just a bit of fun. We just wanted to hear the music we liked that wasn’t being played in...

Ageism in the dance music industry is a subject that is being discussed more and more, particularly its impact on employment. But what about its...

A dark club, flashing lights, a crowd reaching for the roof as the DJ drops a huge track and a roar of jubilation as the...

How is the cost-of-living crisis hitting UK nightlife?

Post-pandemic, as UK clubs have attempted to regroup, they’ve been impacted by soaring energy bills, rising costs and hesitant ticket buyers. Jack Ramage talks to club owners and promoters about how they’re weathering the storm, and asks what can be done to ameliorate the situation?

“It’s terrifying... I wake up every day and hope that we find a way to keep going,” Kate Hodgkinson, co-founder of Cobalt Studios, an independent...

Putting on parties demands optimism even at the best of times. After an unimaginable 20 months, the limits of hope continue to be tested. Will...

Joshu Doherty has been putting on parties for nearly 15 years, but it’s never been this difficult. “The last five months,” he says, “have been...

Collage of various vintage hifi ads including Sony, Technics and Nagra

Jonny Trunk has been collaborating on a series of graphic design-led books with FUEL publishing for almost 20 years. The latest — titled Audio Erotica — sees the London-based writer, broadcaster, DJ, and Trunk Records label boss collate some of strangest and most significant period hi-fi brochures of the last 75 years. We spoke to Trunk to find out more about these hard-to-find vintage brochures

Audio Erotica is a book exploring vintage hi-fi adverts authored by Jonny Trunk and printed by East London-based graphic design and publishing company, FUEL. Across...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...

Award-winning radio presenter and proponent of the diversity-focused Radio Silence movement, Kay-Lee Golding, explores the lack of Black representation in mainstream UK radio

In 2020, you would think that radio would be diverse and full of opportunities. But unfortunately, you would be wrong. The UK radio industry really...

Every month DJ Lee Burridge sends DJmag.com his diary to reveal all the mishaps, shenanigans, and craziness from his '365' world tour. This month: Florence...

Anyone who has read the last three articles has probably come to realise that I love to waffle.


That is, to say things in a...

Daft Punk is dead, long live Daft Punk: the limits of a brand beyond the band

Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in

Daft Punk died twice. On 9th September 1999, according to legend, a studio accident killed off the real-life Thomas Bangalter and Guy-Manuel de Homem-Christo, leaving...

Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of...

In the early hours of Sunday 1st December 2019, militarised police broke up a Brazilian funk street party called Baile da DZ7 in the São...

  From DIY imprints putting out 160bpm club bangers, forward-thinking electro cuts, twisted acid and rave sounds, through to big room techno's brightest stars launching...

Possibly the most-hyped label to have not released any music ever, Hoover Sound is the brainchild of Best Of British Breakthrough DJ winner SHERELLE and...

Gobstopper Records head, Mr. Mitch, discusses Black experiences, the white gaze and his decisions as a label boss

My name is Mr. Mitch, I am Black, I am an artist, and for the past 10 years I have also been running the label...

There’s a growing culture in dance music, known as 'flipping', where unscrupulous Discogs sellers inflate the cost of rare records to extortionate amounts. We investigate...

In September 2018, hardcore archivist label Ninety Two Retro released a double-12” comprising six tracks and versions from 1992 by Mystery Man and 1st Prodject...

It's the most wonderful time of the year – whether you're treating yourself or looking for the perfect gift for someone else, we've got you...

The fight to preserve Ukraine’s electronic music culture in a time of war

Amidst the horrors of russia's war on Ukraine, local DJs, producers and music professionals have had their lives ripped apart, but many have passionately continued their work at home and abroad, using their experience to provide funds and direct aid to causes on the ground. Here, Tanya Voytko talks to artists from across the country about their personal experiences over the past six months, and to learn how they’re striving to preserve and promote their rich and diverse electronic music culture

I started writing this article on 22nd June, the day of remembrance for the victims of World War II in Ukraine. At dawn on that...