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Monterrey, Mexico producer and DJ, Regal86, has made a splash with his prodigious release schedule and wide stylistic range. Alongside a thundering techno mix for the Recognise series, he speaks to Michael McKinney about relishing imperfections, coming up in the local underground, and the parallels between car customisation and his ever-evolving sound

As Cassius Select, the Toronto-born DJ and producer Lavurn Lee has spent the past decade crafting mercurial club music packed with bass and breaks. But on his debut album under his given name, he revisits the vocal-led experimental R&B of his earliest releases, revealing a more intimate side to his artistry. Alongside a Recognise mix filled with shadowy ambience and anxious beats, Dhruva Balram learns the story of ‘LAVURN’

Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems

With his Shaytoon Records label, Sepehr has built a platform for underground techno and electronic music from the Iranian diaspora. But the versatile New York-based producer and DJ fights oversimplified categorisations and pigeonholing at every turn, extracting influence from obscure ‘90s rave records as much as Persian mythology. Alongside a 90-minute On Cue mix demonstrating this sound, he tells Marke Bieschke about his Flower Storm project with Kasra V, the influence of Silent Servant, and his grunge-influenced new band

Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’

Hosting its first residency in Ibiza at the legendary DC-10, Patrick Topping's Trick imprint has seen a release break through to the UK charts, and grown from an imprint to an empire. With Australian DJ/producer Airwolf Paradise on mix duties with an hour of club-ready label cuts, DJ Mag sits down with Patrick Topping to talk about his vision to share the versatility and imagination of electronic mainstays, and giving breaks to the undiscovered underground

An accomplished jazz musician, Timmy Trumpet made the switch to electronic music some years ago and has quickly become one of the world’s biggest DJs, famed for his ecstatic energy, collaborative mindset and improvised trumpeting on stage. DJ Mag speaks to Timmy — and his wife Anett — about his journey so far

Tali was the first female drum & bass MC to feature on DJ Mag’s cover in 2004, coinciding with the release of her debut album ‘Lyric On My Lip’ on Full Cycle. Nearly 18 years on from that trailblazing release, Jake Hirst connects with the artist to discuss her self-produced eighth studio album, ‘Future Dwellers’, and the journey of self-worth that lead to it

With its on-the-pulse line-ups, great sound and inclusive atmosphere, Gonzo's Two Room is making Norwich a dance music destination. Here Ben Murphy heads to the club, and chats to its team, to learn what makes it so special

South Africa’s biggest independent label is taking house music to new heights and changing the lives of local artists in the process. Alongside a mix of tracks from its catalogue, founder Kid Fonque speaks to Kitty Amor about the rise and rise of Stay True Sounds

NYC/Berlin-based DJ, producer and vocalist Perel records a mix of wavy nu disco, thumping house and Italo for the On Cue series, and speaks to Katherine Rodgers about regaining her confidence after a debilitating label experience, and her bold and irreverent new album, ‘Jesus Was An Alien’

Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test

Though a clear reflection of his taste in music, Newcastle’s Me Me Me label isn’t all about its founder, Man Power. Alongside a mix from its hard-to-define and easy-to-love catalogue, the DJ and producer tells Kristan J Caryl about the imprint’s focus on bringing artists together

‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career