It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...
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Features
When Dax J made worldwide headlines last year for dropping an Islamic call to prayer sample during his set in Tunisia, it looked for a minute...
'Public indecency and offending public morality'. Before April last year, those words probably meant about as much to Dax J as his name did to...
We meet Jason Kendig and Jackie House of the San Fran party starters, in a converted Leyland Roadrunner backstage of Block9 at Glastonbury this year...
Shortly after 9pm on the Thursday night at Glastonbury this year, Jason Kendig and Jackie House of Honey Soundsystem are opening the Genosys stage of...
DJ Mag Ibiza meets the DJ/producer to talk studio secrets, old skool Ibiza, and how to avoid homogeneous DJ sets...
He’s the latest superstar DJ to nab himself a season-long residency at one of Ibiza’s top superclubs, but Maceo Plex isn’t playing by anyone’s rules...
The German producer reflects on his plight to becoming the in-demand DJ he is today and the importance of keeping true to what he most...
“Actually, this is one of my most productive years so far.” Thomas Gold smiles broadly into the camera, his face framed by simple, black-rimmed...
Ed Rush & Optical are still big in the game. They may have gone through fatherhood and other projects individually, but when they come together...
Spend any amount of time with Ed Rush, be it five minutes or five hours, and he won’t stop talking — and not for one...
DJ Mag talks to Dave about the track series that propelled him to stardom...
We’re outside the Dylan Hotel in Amsterdam, the night after Dave Clarke’s sell-out ADE party. Your DJ Mag hack is somewhat the worse for wear...
DJ Mag chats to James Ford about making the new LP, aliens, cowboy ghost towns, destruction and drones...
When the Klaxons joked that their producer, James Ford, communicated with aliens through his hair, they weren’t only paying tribute to his curly black locks...
A rising number of producers are making music that creates a soundtrack to those calmer moments in life. DJ Mag investigates...
Summer is in full swing, Ibiza still rocks and festival season has blossomed into hundreds of live-music infused explosions, happening in far-flung spots all over...
UK producer Will Holland shot to fame as Quantic with a blend of lush electronic beats and fiery Afrobeat rhythms. Then a trip to Colombia...
After years making live funk, reggae and cumbia influenced by his experience there, he's returned to the Quantic moniker and to the world of electronic...
DJ Die on Gutterfunk, Clear Skyz and mixing Chic with DJ Hazard
DJ Mag chat to Bristol bass head DJ Die
The latest, biggest and most epic addition to Brazilian's vibrant clubbing scene, Green Valley might just be the best outdoor club we're ever likely to...
Whoever said that travel broadens the mind probably wasn't thinking of times like this, but it's certainly stretching any previous conceptions of what outdoor clubbing...
Features
Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future
We meet the Leeds man in London to talk about hardcore history, subliminal messages and breaking free of genre constrictions — and much more...
Reinvention is a tough gig. But if you get it right, a whole new life is possible. No one in dance music's managed this more...
Features
Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds
Features
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds