Skip to main content

Search


Results for: print

Steve Lawler’s electric VIVa Warriors parties gave Sankeys Ibiza the boost it needed last summer, and this year he plans to build further on that...

For many DJs, a residency at one of the major clubs in Ibiza would be a sign that they'd made it and entered the major league. To maintain that residency for well over a decade would be their dream come true: job done. But for Steve Lawler, while he’s loved dining out at dance music’s top table for such a long stretch, last year saw him leave his long-running residency at Space.

Berlin maverick on his DJ Mag covermount

DJ Mag linked up with the elusive music maker to find out how he works, what he thinks of the Top 100, and whether there'll be a follow-up to Berlin Calling...

The year's essential comp cuts!

It's impossible to ignore the way the web has changed the modes and mediums of music. MP3s at the click of a mouse and free...

Celebrating twenty years at Radio 1

It's almost impossible to imagine the changes in dance music that Pete Tong has seen since he first stepped up to the decks as a...

<p>MAD Festival brought relief to Serbia last month...</p>

The inaugural MAD in Belgrade — brought to us by the founders of the renowned EXIT Festival — kicks off its life in a sombre...

Is wealth and privilege damaging British dance music, and if so, what should we do about it?

WORDS: Matt AnnissPICS: Nicola Nodland & Jillian Edelstein

Since acid house swept the UK 30 years ago and united a generation, British dance has proudly proclaimed its egalitarian credentials. Many believe that the loved up, misty-eyed utopianism...

She’s the Paris-based New Yorker who’s overcome the struggle of addiction and dance music industry tokenism to forge her own path. Louisa Pillott, aka LOUISAHHH...

"Oh, I’ve done a lot of very different stuff,” LOUISAHHH!!! grins at DJ Mag across a backstage corridor. “I’m a certified cycling instructor, for example,”...

The Paris-based, NYC-born DJ/producer fronts this month's issue...

"Oh, I’ve done a lot of very different stuff,” LOUISAHHH!!! grins at DJ Mag across a backstage corridor. “I’m a certified cycling instructor, for example,”...

Photo of Frank & Tony sitting at a table outside a red cafe

Out of club music’s modern-day practitioners, few go deeper than Francis Harris and Anthony Collins. Producing under the Frank & Tony banner, working in the grand tradition of the sound’s pioneers, the duo has just released ‘Ethos’, their first long-player since 2014’s ‘You Go Girl’. Here, they speak to Bruce Tantum about their creative partnership, the uniting power of the house groove, and melancholic beauty of everyday life

The music of Francis Harris and Anthony Collins seems, on one level, to exist in a world of their own making. Working together as Frank...

The ESP Instituer Logo on a blurry grey blue background

Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems

Los Angeles’ ESP Institute has delivered over 120 releases since its inception 14 years ago – an impressive feat for a label that remains fiercely...

Photo of Sepehr posing at a slight tilt, wearing a black leather vest

With his Shaytoon Records label, Sepehr has built a platform for underground techno and electronic music from the Iranian diaspora. But the versatile New York-based producer and DJ fights oversimplified categorisations and pigeonholing at every turn, extracting influence from obscure ‘90s rave records as much as Persian mythology. Alongside a 90-minute On Cue mix demonstrating this sound, he tells Marke Bieschke about his Flower Storm project with Kasra V, the influence of Silent Servant, and his grunge-influenced new band

If anyone is going to be searingly candid about real life in the music business, it's Sepehr Alimagham Tabari. With his four-year-old label Shaytoon Records...

Cakes Da Killa by Ebru Yildiz

Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’

In 2014, Cakes Da Killa’s uniquely sharp and agile club rap earned him an interview on New York’s premier hip-hop station, Hot 97. He never...

Timmy Trumpet: brass tacks

An accomplished jazz musician, Timmy Trumpet made the switch to electronic music some years ago and has quickly become one of the world’s biggest DJs, famed for his ecstatic energy, collaborative mindset and improvised trumpeting on stage. DJ Mag speaks to Timmy — and his wife Anett — about his journey so far

“My friends and I used to make fun of dance music when I first got into it,” laughs Timothy Jade Smith, rather sheepishly. At that...

Houghton Festival 2022 lasers over the Pavilion stage

Houghton Festival returned for the first time in four years earlier this month after surviving against the odds. DJ Mag’s Rob McCallum steps into curator Craig Richards’ musical world to rediscover a meticulously programmed audio/visual masterpiece

Set around a lake in the stunning parkland belonging to Houghton Hall in Norfolk, Craig Richards’ Houghton Festival has survived against the odds. After being...

Plastikman album cover

Brooding and austere, Richie Hawtin’s third album under the Plastikman alias is a minimalist masterwork

When first encountering ‘Consumed,’ Richie Hawtin’s third studio album under the Plastikman name, a normal reaction might be like that of the prehistoric hominids in...