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The high-energy drum & bass sub-genre is back... and in a very big way!

Jump-up — the bouncy, bassline-led strain of drum & bass — seems bigger than ever right now. DJ Mag talks to the leading playaz in...

Cheeky bubblers incoming...

Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...

Born in Jamaica around half a century ago, dancehall music has found fans, artists and chart-topping success all around the globe in the decades since...

Dancehall music has been the driving force in my career. As a DJ, I’ve played most if not all genres of music on radio and...

The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021

Tim Reaper’s star has been rising for over a decade. In junglist circles, he’s moved past being the exciting new kid on the block to...

The UK capital is making major strides...

Pretty much the whole of clubland was appalled when Fabric had its license revoked a few months back — after all, if Fabric could be...

 Best Of British powered by Relentless Energy Drink is our chance to shine a spotlight on the homegrown stars who fill the pages of our...

BEST DJ: ANDY C

The drum & bass don has scooped the Best DJ gong for the second time in this year’s vote...

“It’s the...

The Crystal Method are one of the United States’ longest-standing dance music outfits, with a career that spans over two decades, thousands of gigs and...

On the north side of downtown Los Angeles, under the Broadway Bridge, a parking lot heaves with the breakbeats of Scott Kirkland of The Crystal...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...

Listen well for less?

Sainsbury’s, the British supermarket giant, has announced that it is launching a record label.

The retailer’s imprint, called Own Label, will be a standalone imprint...

Vintage '90s images taken from old free party events

In the summer of 1989, DiY collective — one of the first house sound systems in the UK — emerged onto the rave scene. In this excerpt taken from founding member Harry Harrison's book, Dreaming in Yellow, he discusses DiY's role within that movement, and the importance of free parties during the '90s rave scene

Much has been written and debated over the years about just why the concept of a ‘free’ party was so important. Much more than simply...

Collage of various images from panels and parties at ADE 2023

Amsterdam Dance Event returned earlier this month, with the world’s biggest electronic music conference delivering its usual, unrelenting whirlwind of parties, panels and so much more. Here’s a handful of highlights from DJ Mag’s week at ADE 2023

DJ Mag’s involvement with the ADE Lab — the conference’s four-day tech-focused programme that takes place in and around the Flemish Cultural Center de Brakke...

Once focused on the techno of Detroit, Joris Voorn’s latter-day productions have conquered his native Holland, Ibiza and the world. While some have accused him...

From a devotee of Detroit to becoming the leading light of the Dutch underground scene, Joris Voorn’s ascent has been as methodical and measured as...

One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...

By the early ’90s, dance music in the UK was already a complex beast. US house and techno cross-pollinated with synth-pop, rare groove and soundsystem...

The Horse Meat Disco logo on an orange background with dancers

Horse Meat Disco held their first party at what would become known as The Eagle pub in Vauxhall, London on New Year’s Day 2004. As their weekly Sunday night queer party grew, so did their international reputation, and they haven't stopped since. Here, Andy Thomas charts the soaraway success of the disco house collective over the last two decades

“It’s Princess Julia stretching across the stage in smoky mascara and emerald green stockings. It’s classic Amanda Lear videos playing on the wall as three...