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San Fran-based DJ and producer Chrissy outlines his guide for ripping vinyl so they sound full, loud and powerful on a club system. With tips and tricks around needles, preamps, turntables, software and file formats, it's a go-to guide for anyone who wants to digitise their record collection

Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era

Even as pandemic restrictions have lifted, and clubs and festivals have returned, the spectre of coronavirus lingers for many due to the debilitating impact of long Covid. Here, Dhruva Balram speaks to people in the dance music industry about how the effects of long Covid, and a lack of understanding around it, have impacted them, and asks whether it should be recognised as a disability

Emerging technology, BODYHEAT, promises to make clubs more carbon neutral. Sophie Lou Wilson speaks to those behind it, the first club to trial it (SWG3 Glasgow), and others about how it works, as well as its potential and limits

This year’s Whole Festival marked the biggest underground electronic music-focused queer festival on the planet, bringing together LGBTQ+ collectives, artists and ravers from around the globe. Marke Bieschke heads to Germany to find out how Whole has created a world of its own

As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?