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Dubstep original will never turn his back on the sound that made him
As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.
Returning after a pause due to the impact of coronavirus, Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto...
Hit-maker, label boss, global tastemaker and five-time winner of the Top 100 DJs, Armin van Buuren is a certified legend of electronic music. Having risen...
Armin van Buuren doesn’t really do interviews anymore. He’s reached the upper echelons of his chosen career, and doesn’t really need to. The “trance overlord,”...
DJ Mag's digital tech editor rounds up the best Christmas gifts for DJs and producers in 2021. Whether it's for yourself, a partner, a family...
Above & Beyond’s latest delivery is an acoustic gem fit for a queen
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
First released in 2012, Donato Dozzy and Neel’s groundbreaking self-titled album as Voices From The Lake changed the landscape of ambient techno, and set a new course for minimalist electronic music. Rob McCallum learns how the ripple effects of its legacy are still being felt like a pulsating torrent today
At the centre of Daft Punk’s world-beating debut album lay a tribute to the architects of dance music, titled ‘Teachers’. With the help of Neil...
Birmingham-via-Berlin’s techno stalwart Rebekah has conquered her demons to become one of the most in-demand DJs and producers out there. Winner of our Best Of British Best...
It’s 1997 and a 17 year old Rebekah Teasdale is just finishing work at a French restaurant in the centre of Birmingham. With 30-odd pounds worth of tips...
Before COVID turned the world upside down, Avalon Emerson was so busy DJing, touring, producing and remixing, she was close to burnout — but the...
Who are the most exciting Ram acts now? We delve deeper into the world of Ram...
WILKINSON
29,200 Twitter followers, 126,569 Facebook fans and charting at No.8 in the UK Official Top 40, Wilkinson is big news, but it hasn't always...
After almost 30 years — minus a couple of splits — operating as Orbital, Paul and Phil Hartnoll are back with their first studio album...
Orbital are back. Hooray! One of the most important electronic bands of the last 30 years have split a couple of times over the years...
Nookie’s ‘Gonna Be Alright’ dropped as hardcore was morphing into jungle at the beginning of the 1990s. It lit up the raves and set Nookie up for a production career with Reinforced, Metalheadz, Moving Shadow and other key labels as the decade unfolded. Ben Murphy learns its story and speaks to Nookie about how, as the ‘20s roar into action, he is charged up all over again
In DJ Mag's April charts, four artists a select their top 10 tracks of the month, spanning crazy hip-hop mashups, jungle pressure, propulsive house bangers...