Skip to main content

Search


Results for: Review

SHERELLE’s BEAUTIFUL label and AIAIAI partner on new initiative for Black and LGBTQI+ artists

The project will encompass a new studio space, academy and workshop programme, and an exhibition series 

SHERELLE's BEAUTIFUL label and the Danish audio firm AIAIAI are partnering on a new initiative aimed at supporting Black and LGBTQI+ artists, comprising free workshops...

The drum & bass pioneer talks us through ten tracks on his new ‘Drum & Bass Life’ comp

Goldie’s name has been synonymous with UK jungle and drum & bass practically since their inception. After a difficult childhood in and out of foster...

Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...

This is the fourth year that DJ Mag has presented the Alternative Top 100 DJs list in association with Beatport. In 2021, the genres included...

It wasn’t their song and they didn’t play any instruments, but Saint Etienne’s Balearic classic ‘Only Love Can Break Your Heart’ caught the tailwind of...

In a period when the divide between the UK’s club scene and indie kids was as wide as it was bitter, Saint Etienne managed to...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

The Drumcode boss lays it all out in a candid interview...

 On the eve of Drumcode’s 20th anniversary, Adam Beyer sits down with DJ Mag to talk about his label, his family, and what’s possible...

Fresh Kicks 187: Tarzsa

Manchester DJ, NTS resident and BBC Radio 6 regular Tarzsa records an uplifting mix of warming, soulful house for the Fresh Kicks series, and chats to Eoin Murray about her lifelong love of sharing music with others

As a teen, Tarzsa would come home from school and record music off MTV with her phone. The next day, she’d bluetooth her bootlegged discoveries...

Effy Mai in the woods

Norwich-based DJ and Gonzo's Two Room resident Effy Mai drops a decades-spanning mix of electro, chuggy bangers and abstract club tracks for the Fresh Kicks series, and chats to Amy Fielding about Gonzo's' sense of community, early gig nightmares and her first set of Technic 1210s

Earlier this year, DJ Mag spent some time in Norwich at Gonzo’s Two Room: a 200-capacity venue reigniting club culture on the UK’s east coast...

In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share recent additions to their...

Record stores and clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our...

Dubstep legend Pinch dishes up an hour of cutting-edge bass manoeuvres and propulsive rhythms as part of our Podcast mix series...

Three decades of Trade: celebrating 30 years of boundary breaking LGBTQ+ raving

The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy

It’s Sunday afternoon, 16th March 2008, and the dancefloor of Turnmills is packed with dancers in varying states of undress. Watching over them, grinning maniacally...

Known for his work with RÜFÜS DU SOL, Broods, Hayden James and others, Grammy-nominated producer, mixer, and DJ Cassian is proof that if you build...

In Australia, there’s a phrase commonly used to describe people who “cut down” the overachievers in their midst due to their own insecurities. Those who...

Oslo's Sommerøya festival reveals an eclectic music and art scene bursting with top techno talent, set against a glittering Norwegian fjord...

Norway is the stuff of legends. It is a land made of mythical tales, where fiction and reality collide along blurred lines: Thor and Asgard...

Based in Glasgow, Highlife have been pushing an afro-futurist sound on their label and at their parties for the past five years. With their 'world...

It’s August 2016, and the second day of Dimensions Festival in Pula, Croatia. Auntie Flo is spinning at the Highlife beach party at the event...

We discover the story behind The Audio Institute & more...

“Welcome to the CNN of Haiti!” DJ Mag USA has just landed in Port-au-Prince, Haiti’s capital, and thanks to a combination of natural disasters and...