Roska has shared details of his first album in four years, 'Peace'. His fourth album, and third for his own Roska Kicks & Snares label...
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The album includes vocals from Flowdan, MC GQ, Sweetie Irie and more
Fans had complained the event was too expensive...
Above & Beyond have announced their upcoming Anjunabeach event in Mexico has been cancelled, as it was proving too expensive for fans.
The event was...
Helena Hauff, John Talabot and Camelphat are amongst the big-hitters performing at the Barcelona festival
'Taylor Made Freestyle' is the latest in an ongoing feud between Drake and Kendrick Lamar
Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival
Róisín Murphy is back with her fifth solo album, ‘Róisín Machine’. Carl Loben catches up with her to talk artistic exhibitionism, lockdown videos, her early...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Listen to the British-Armenian artist's new single 'Round', out now
The festival's organisers have said they're "devastated" to have to call the event off
The gesture comes on the 30th anniversary of the Criminal Justice Bill which sought to deal with illegal raves in the '90s
Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future
We pitch Pioneer's DDJ-SZ against Numark’s NS7II...
Despite the protestations of the die-hard old skool vinyl crowd and their never-ending loud vocalisations espousing the unique qualities of vinyl, the fact of the...
Norman Cook lent his star power to support the struggling Chelmsford venue with a sold-out rare intimate gig last week
The 19-track 'Phases' is out via Transgressive in June
The Marcus Intalex Music Foundation aims to be a new hub for Manchester’s electronic music scene. We head to the city for its inaugural series of...
“It’s an industry that can be quite difficult to navigate,” Nik Sinha says of the music business, when we meet in the loft of Manchester’s Gorilla, tonight’s party in...