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Brandon Weems and Craig Handfield, together known as musclecars, are core members of a group of Brooklyn DJs and producers who have been keeping things soulful in New York’s clubbing universe. But with the release of their debut album, ‘Sugar Honey Iced Tea!’, the duo goes further, placing their work as part of the full lineage of Black music and experience

Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds

Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more

With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music

South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound

Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional

Producer of soul greats, maker of classic house records, ordained Yoruba priest and avid live streamer, Osunlade has lived a remarkable life so far. He tells Ria Hylton how remaining independent has been vital to his creativity and career