It’s late May in North London. The sun is setting with a burning intensity that only a summer’s evening in this concrete jungle can provide...
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Disclosure’s Wild Life Detroit festival bridges generations of dance music...
Disclosure’s travelling festival series Wild Life stops in Michigan’s metro Detroit area, and in just a matter of seven hours, the event manages to encompass...
Roger Sanchez brings back his '90s darker house moniker...
Roger Sanchez has revived his dark house pseudonym from the 1990s — The S-Man. And he's been talking to DJ Mag about his reasons for...
Massive Sandsystem!
DJ Mag finds itself in a desert, 200km from the nearest city and surrounded by enormous soundsystems for Monegros Festival, but is the music as far out as the location?
Bass injected house duo step up
Some days you wake up and just have a blinder — for Dusky that blinder has been pretty much every day for the last year. It’s fair to say that the London duo have — in technical parlance — well-and-truly smashed it. Number #1 iTunes Dance Single of 2012? In the bag with the beyond-ubiquitous 'Flo Jam'. Radio 1 Essential Mix? Done, knocked off with style, and shortlisted for mix of the year. They’ve helped shift the paradigms for dubstep and house, had productions rinsed by everyone from Loefah to Calvin Harris, and killed it in Ibiza at DC-10. Ebullient and still humble, is it any surprise that Dusky producers Alfie Granger-Howell and Nick Harriman are loving life right now?
Objektivity boss is fed up with being known as Mr 'Hey Hey'
“Everyone wants to call dance music EDM these days but I call that shit that’s popular — you know, the cheesy stuff — I call it PDM,” says New York DJ Dennis Ferrer. “That stuff everyone is going on about, it’s pop dance music. I take offence when someone calls my shit 'EDM' and lumps it in with all the crap. What I do is what I’ve always done, and I don’t like someone calling it anything else.”
We catch up with Digital Delight/Sultry Vibes boss Sishi Rosch
The musical feast that is BPM Festival helped us to catch up with lots of up-coming acts who had been on our radar for some...
The Natural Born Spitta Speaks
Air guitar contests are generally considered an oddity, so when I entered one last weekend (no, I didn't win) and saw a competitor accompanied by...
So many return from Ibiza in desperate need of another holiday just to get over it, but uncover the island's rustic tranquility and you can...
Let's make no mistake, Ibiza is all about the parties, but eventually 36-hour days and enough vodka limons to fill up a bath tub can...
A rapper, producer and head of the No Days Off brand, Knucks smashed into the UK album charts this year with his ‘Alpha Place’ project, presenting his ‘chill drill’ sound in all its evolved glory. His triumphant homecoming show at KOKO in Camden saw collaborators like Stormzy, SL, Youngs Teflon and Ragz Originale join him on stage. Here, Yemi Abiade meets the Londoner to learn how there are now no limitations on his future
The Avalanches’ debut ‘Since I Left You’ is one of electronic music’s all-time classics, a sample-heavy travelogue which charmed the globe in 2000-01. Then they...
Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.
A new initiative, started by the founder of Love Parade, aims to have Berlin's techno scene recognised as a cultural practice, supported and preserved by...
Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...
One of the world’s great party cities, Berlin is facing up to the COVID-19 pandemic in its own unique way. How are the clubs getting...