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Kneecap

Belfast’s Irish language rap trio Kneecap have created a serious buzz with their fiery, politically-attuned lyrics and chaotic live shows. Their Toddla T-produced debut album, ‘Fine Art’, and forthcoming feature film are set to catapult them even further onto the global stage. But as Brian Coney learns, their commitment to their native tongue, doing things their own way, and reshaping the narrative of modern Belfast remains their top priority

"I think we have a weird kink for making things really hard for ourselves," says Móglaí Bap, seated with his fellow Kneecap members Mo Chara...

As dance music’s top-heavy, tour-focused infrastructure crumbles, people across the industry are wondering how new revenue streams can emerge to support artists during and after...

It’s been four months since COVID-19 sent dancers into deep freeze. With no sign of a vaccine, the suspicion is that clubs will stay closed...

The raucous rhythms of Jersey club have been everywhere lately, and UNIIQU3, aka the Jersey Club Queen, is one of the main reasons why. Bruce...

The voice on the other end of the phone is murmuring gentle orders: “Black, please. Middle strip rainbow. Yeah, like that.” A few seconds pass...

Leslie delivered the most educated, informed and damning defense of the evening...

fabric had its licence revoked in the early hours of this morning (7th September), at the end of a licensing hearing that saw Islington Council...

 Already a staple sound of Ibiza at DC-10 and Parisian clubs like Concrete and Rex, French house is now truly going global...

It’s August 2013 and the trio of Dan Ghenacia, Dyed Soundorom and Shonky are coming to the close of an eight-hour showcase of their trademark...

Steve Aoki is the EDM superstar that fans adore and haters love to hate. 

He’s built a musical empire on DiY ethics, hard work, punk rock drive and lots and lots of cakes. As he prepares to headline the...

DJ Mag USA speaks with the SCI+TEC label boss, and sound/live show innovator, Dubfire...  

It’s 10am in Tokyo. The witching hour for most DJs who would probably be asleep at this time, tangled in a mix of hotel...

The United Kingdom of rave returns

House is still topping the UK charts; the EDM beast is mutating and consuming every thing in its path. Never before has there been so...

We meet the elusive Glaswegian artist — and a host of his close confidantes — to talk about his new album, how the Glasgow scene...

Master of futuristic electronic sounds Rustie is back with a new album. Last time with 'Glass Swords' he changed the game, and his new one...

We chat to the UK dance king Eats Everything

Dan ‘Eats Everything’ Pearce is massive. Not just in stature (much as he likes to take the piss out of his occasionally generous girth), but...

With summer's subterranean smash tune ‘Jack’ signed to a major and chart success beckoning, Ben Westbeech, aka Breach, tells us how he’s heading for the...

Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.

We catch up with the enigmatic Superfreq as he celebrates 25 years in the game!

Mr C is an enigma. Celebrating 25 years in the game, the man born Richard West has played an integral part in the development of quality electronic music over the last quarter of a century or so.

We interview Nadastrom & Sabo ahead of hitting the road, plus free Scion AV EP!

We went, we saw, we determined. The verdict: moombahton. It's all over the place and the people love it. So much so that we no...

Plus free track to download

Mixing booming West Coast hip-hop 808s, squelchy funk, sizzlingly sexually charged R&B and deep house, Boston's Soul Clap (aka Eli Goldstein and Charles Levin)...

ESG logo

When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story

One day in 1979, a young Renee Scroggins imagined what it would be like if a UFO landed in the housing projects of the South...