If you’ve ever wondered why Mr. Fingers — aka pioneering US producer Larry Heard — is so revered among house music aficionados (including, notably, Kanye...
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Results for: Drums of Death
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For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...
By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
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The latest and greatest DJs and producers rising to the top this month. From experimental R&B and sample-laden house to ferocious, fiery techno here's February...
(LIV).E
(Liv).e — pronounced “Liv” — has an otherworldly sound. The vocalist and producer hails from Dallas, Texas, and combines gospel spirituality with blurry synth-work...
On the history of dubstep and 'Fabriclive 61'...
Pinch, aka Rob Ellis, boss of the trail-blazing Tectonic Records, is one of a few heads in a unique position to dissect the...
Features
33 years after its release in 1989, Larry Heard’s debut album as Mr. Fingers is a profoundly moving document of timeless electronic music, brimming with tracks of unrivaled beauty from the then-young world of house
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The video forms parts of the Voices For Gaza initiative, which is raising awareness of the plight of innocent Palestinians
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You can watch the video the first single, 'Von Dutch', now
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Timeline and the next generation of talent from Underground Resistance
Debuting the latest incarnation of their ever-evolving live show at this year's Movement festival, Timeline is the next generation of talent from Underground Resistance –...
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David Lowe talks through his approach to producing the beloved, enduring theme tune that's gone viral decades after its debut
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The Manchester promoter's Mandrake project shared the notice over the weekend
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Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional