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Results for: Comin' Up

Bristol-born Banoffee Pies Records is best known for its sonic diversity, V/A compilations and plethora of series and sub-labels. But as its founder Ell Weston...

From his foundational work in drum & bass and jungle as part of 4hero and Reinforced Records, to his myriad production aliases and ongoing work...

Throughout 2020, like so many others, Dego spent months stuck at home. Unable to commit to his normal routine of studio time, he found himself...

He’s spent the last seven years honing an undeniable sound. Now Tchami will unveil his first full-length album, ‘Year Zero’

The collar that Martin Joseph Léonard Bresso dons while performing on stage as Tchami is a meaningful accessory. It is symbolic of the spirituality he’s...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

As events begin to reschedule dates for 2021, and with some selling out months in advance, the practise of ticket touting is once again an...

Electronic music artists, venues and promoters are failing to do enough to protect fans from online touts, who are selling tickets for more than 10...

After the UK Government delayed the easing of lockdown earlier this month, many clubs were left in financial ruin. Even ahead of the new proposed...

Last week (14th June), Boris Johnson announced that there will be a four-week delay of lockdown easing, with the initial date for the relaxation of...

As one half of the duo behind behemoth label and party series Solid Grooves, UK DJ and producer PAWSA has been a quiet but powerful...

In the 2013 film The Wolf Of Wall Street, Jonah Hill’s character, Donnie Azoff, meets Leonardo DiCaprio’s Jordan Belfort in a diner. Donnie sees Jordan’s...

2019 was a year in which deeply personal and boldly political music ruled the long-player format. Below, you'll find the 50 albums that defined the...

Some years stand out for the bangers they produced, for the adrenaline-shot belters that shook festivals and club floors night after night, and never felt...

Various pieces of artwork for Bronski Beat's 'Smalltown Boy'

Released on 25th May 1984, ‘Smalltown Boy’ launched the gay synth-pop band Bronski Beat into the charts and onto dancefloors with its glorious synths, hi-NRG production and Jimmy Somerville’s soaring falsetto, which sang a story of rejection, pain and escape. Here, with the help of musicians, its iconic video's director and others, Bailey Slater explores how, four decades on, it remains an unflinching anthem of queer liberation

When you think of the voices that defined a generation, the 1980s had plenty of options. From Sade and Sinead O’Connor to George Michael and...

A fusionist known for intense bass and intricate drumplay, DJ and producer Hagan has built a name for himself by blending the sounds of UK...

Indira Paganotto in a red, white and black jacket

Spanish DJ, producer and ARTCORE label founder Indira Paganotto’s irresistible hybrid of techno and psytrance has made her a huge star on festival stages and in superclubs, but her rise to the top has been beset with challenges. Niamh O’Connor speaks with her about sticking to her principles, her love of psytrance, the importance of the underground, and the balancing influence of family

Few artists have fused the worlds of bright psytrance and booming techno as smoothly as Indira Paganotto. The Spanish producer, DJ and founder of the...

After intensive, early lockdowns, China's events industry is gradually returning to pre-pandemic levels, with safety measures in place. Bruce Tantum speaks to a selection of DJs...

In mid-August of last year, scenes from an electronic music festival at a water-park in Wuhan, China were beaming across the internet. The photos and...

The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...

Ever since the birth of acid house in the late ‘80s, UK dance music has been defined, legislated against and demonised on the basis of...

Vintage '90s images taken from old free party events

In the summer of 1989, DiY collective — one of the first house sound systems in the UK — emerged onto the rave scene. In this excerpt taken from founding member Harry Harrison's book, Dreaming in Yellow, he discusses DiY's role within that movement, and the importance of free parties during the '90s rave scene

Much has been written and debated over the years about just why the concept of a ‘free’ party was so important. Much more than simply...

Daft Punk is dead, long live Daft Punk: the limits of a brand beyond the band

Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in

Daft Punk died twice. On 9th September 1999, according to legend, a studio accident killed off the real-life Thomas Bangalter and Guy-Manuel de Homem-Christo, leaving...