Fatalism about the music industry comes easily. News of nightclubs, DIY venues, and independent labels closing is commonplace, and streaming platforms are arguing in court...
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Results for: UK nightclubs
Ahead of Paper Recordings' new doc, Northern Disco Lights...
Birthed in Bergen in the '90s, the quirky, elusively pinned down sound of Norwegian/Scandi/nu/cosmic disco — or whatever you call it — is a difficult...
Over the years, has anything offered more sun-drenched hedonism than the Miami party season? Judging by the amount of bikini-ridden, buff-tan parties squeezed into Miami’s...
Key
SUNSHINE
PARTYING
BLING...
Tracing the journey of the d&b kid from the Midlands...
Goldie is back with an amazing new album. And not just any old album either. Hugely ambitious in breadth and scope, 'The Journey Man' is...
DJ Mag spends a weekend with Mr. G in France and London to hear what makes him tick...
It’s Tuesday night in early October 2005 and Colin McBean is lying dead on an operating table at Royal Free Hospital in Hampstead, London.
Just...
Features
As the conversation about how artists can best navigate the streaming economy develops, many musicians and labels are moving towards more independent platforms, selling their...
The Paris-based, NYC-born DJ/producer fronts this month's issue...
"Oh, I’ve done a lot of very different stuff,” LOUISAHHH!!! grins at DJ Mag across a backstage corridor. “I’m a certified cycling instructor, for example,”...
Features
The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
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Released on 25th May 1984, ‘Smalltown Boy’ launched the gay synth-pop band Bronski Beat into the charts and onto dancefloors with its glorious synths, hi-NRG production and Jimmy Somerville’s soaring falsetto, which sang a story of rejection, pain and escape. Here, with the help of musicians, its iconic video's director and others, Bailey Slater explores how, four decades on, it remains an unflinching anthem of queer liberation
2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...
Dance music's renaissance man graces the cover of DJ Mag USA...
From new ventures in live performance to reunions with Digweed, fresh collaborations to the birth of a baby, the godfather of progressive is busy building...
The man, the myth, the legend...
One of the great characters in global electronic music, Mr C is a visionary, artist, actor and activist. He’s been prominent in the underground for...
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A decade and a half into a career making emotionally involved house music, Fred P’s sense of purpose is stronger than it’s ever been. The New York–born, Berlin-based artist fills us in on where he’s been, where he’s at and where he’s heading
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Born in Jamaica around half a century ago, dancehall music has found fans, artists and chart-topping success all around the globe in the decades since...
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It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...
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Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...