The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
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Results for: Ben Pearce
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Features
In DJ Mag's April music columns, Joe Roberts, Carl Loben, Shiba Melissa Mazaza and Layla Marino spotlight topical sounds from around the world
Features
East Africa’s first music technology summit, Kilele, brought together artists and industry figures from Kenya and across Africa and Europe for a series of boundary-pushing performances, discussions and collaborations. Martin Guttridge-Hewitt reports on how the event and a bubbling local underground are ushering in a new era for Nairobi’s electronic music scene
We catch up Fatima to talk about the theme behind the album, her musical roots, and more...
Fatima Al Qadiri is as difficult to classify as her vast productions. She could simultaneously be deemed a visual artist, academic instigator, journalist (as a...
Features
Tokyo’s Shinichiro Yokota is one of the great unsung heroes of house music, though thanks to a particular YouTube video and a new Sound Of...
We meet the elusive Glaswegian artist — and a host of his close confidantes — to talk about his new album, how the Glasgow scene...
Master of futuristic electronic sounds Rustie is back with a new album. Last time with 'Glass Swords' he changed the game, and his new one...
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The songwriter was best known for his contribution to Rhythm Control's classic 'My House'
Features
Montréal’s NAFF Recordings co-founder Priori records a mix of deep, spaced-out house and techno for the Fresh Kicks series, and speaks to Sophie McNulty about collaborating, discovering dance music in his teens and pushing electronic sounds to into new, weird places
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Glasgow's EzUp resident Jay Celino moves seamlessly from house and breaks into techno and electro in his Fresh Kicks mix, and speaks to Amy Fielding about...
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
Features
Bumako Recordings' Jenifa Mayanja records an hour of smooth deep house and funk-fuelled grooves for the On Cue series and, in the midst of a...
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Through her radio shows, DJ sets, parties and records, Colleen ‘Cosmo’ Murphy has encouraged dancers and listeners to enjoy the details and synchronicities of music. DJ Mag’s Anna Wall meets...
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Tiffany Calver is redefining the role of the rap DJ. As well as helming the influential Rap Show on BBC Radio 1Xtra, she hosts club nights, runs her own label, and DJs for superstars. But, as she reveals to Christine Ochefu, her journey to the top hasn’t always been easy
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A stalwart of the UK’s dance music community for over 30 years, DJ Billy Nasty was a pioneer of '90s progressive house before launching his techno and electro labels, Tortured and Electrix. A true vinyl devotee, he now runs the Vinyl Curtain record shop in Brighton. Harold Heath meets him in his home town to talk mix CDs, underground dance music history, running labels and the enduring importance of vinyl DJing
We talk pop, his transition to DJing and more...
Hotshot DJ/producer MK hit big with his UK No.1 remix of Storm Queen's 'Look Right Through', affirming both his studio skills and the immense popularity...