Around 150 people every day, or six people every hour, died from a synthetic opioid overdose in the United States last year. The total number...
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It's the most wonderful time of the year – whether you're treating yourself or looking for the perfect gift for someone else, we've got you...
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Shocked by the spate of accidental opioid overdoses in the US clubbing community, DJ and producer Lauren Flax decided to take action. With the help of healthcare professionals and...
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The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...
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Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
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When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story
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After the 2014 release of ‘1021,’ London-born, Toronto-raised, and LA-based artist Rochelle Jordan went through years of business and health-related difficulties, finally coming out the other end with last year’s emotion-drenched ‘Play With The Changes.’ A new remix album, featuring brilliant work from DJ Minx, Byron The Aquarius, Machinedrum and other notable acts, lifts Jordan’s theme of rejuvenation into a thrilling new phase
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Putting on parties demands optimism even at the best of times. After an unimaginable 20 months, the limits of hope continue to be tested. Will...
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As dance music culture recovers from the pandemic, artists like Klein, Clark and Afrodeutsche are opening up new frontiers for themselves
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UK venues are starting to use facial recognition technologies as part of the entry process. But who stores and profits from your data? And could...
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Stanton Warriors are the UK breaks and bass duo who've fought fiercely to push their genre-blending sound for more than two decades. And with a...
Celebrating twenty years at Radio 1
It's almost impossible to imagine the changes in dance music that Pete Tong has seen since he first stepped up to the decks as a...
DJmag's Jonnie Parker catches up with James Zabiela before his One+One set with Nick Fanciulli.
Listen to the interview here AUDIO
DJ Mag.
Yes yes, it's myself Jonnie Parker, we're down here at the DJ Mag Top 100 DJs party...
DJ also attacks failed drug policing...
Howie B has condemned the Police for their handling of fabric, both in the current case involving the deaths of two 18-year-olds from drug overdose...
Saul talks about his new album, collaborations and a hatred of pirates.
Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.
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Since its inception in 2016, Dublin Digital Radio has become a vital community outlet for many Irish DJs and producers, and has been of added...