Nkisi’s fiercely rhythmic music maps a route from ancient rituals to futuristic hard dance. In her live performances and catalogue of releases for labels like...
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Results for: we are noize
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In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Nkisi spotlights ritualistic acid rhythms, “electronic voodoo music”, Belgian new beat, EBM and more
Tiga, DJ Hell, Boy George, Danny Howells and Soulwax talk about Bowie's impact...
It was Bowie’s ability to experiment, trend-spot, paint lyrical images and create new personas — chameleon-like — in the '70s that gave him such a cult following.
Tech
San Fran-based DJ and producer Chrissy outlines his guide for ripping vinyl so they sound full, loud and powerful on a club system. With tips and tricks around needles, preamps, turntables, software and file formats, it's a go-to guide for anyone who wants to digitise their record collection
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In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings
Tech
From project file to finished product: How do you know if your mix is ready to be mastered? In her latest Beginner's Guide, producer E.M.M.A...
Road tested by CLR's DJ Rebekah
When the likes of Richie Hawtin and Chris Liebing start singing your praises you know that you’re doing something right. Techno star Rebekah is part of Berlin’s CLR gang and has been wooing crowds with her amazing DJ sets and uber cool productions.
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With its grimy cyberpunk aesthetic, Berlin label Mechatronica's innovative electro releases have found fans in the likes of DJ Stingray 313 and Helena Hauff. Alongside a mix from its catalogue, co-founder Casper Mejlholm tells Ben Murphy how experimentation and rule-breaking are at the heart of its success
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
Features
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
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Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach
DJ Mag takes a look at legendary cosmic jazz adventurer Sun Ra
A HUNDRED years ago a man named Herman Poole Blount was born in Birmingham, Alabama. Although he would have disputed that, for not only did...
Features
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, KMRU spotlights blissful synths, tactile guitars, streetscape sound design, indie rock and more
Features
With mental health and wellbeing one of the principal keynote topics at the International Music Summit (IMS) in Ibiza at the end of this month...
Flying high in the music industry can seem idyllic, but is there a price to pay? Coupled with the perceived glamour is a 24/7 lifestyle...
German producer Kris Menace — famed for his huge, filtered and electro-funkin' house — has collaborated with a string of singers for his latest album...
“I love listening to a cool techno DJ, in a club, but if you go and see Swedish House Mafia DJ, for example, there’s no artistry involved. They are just getting behind the decks, with a finished CD, and pressing play then putting their hands in the air. This is something that is so wrong, because they get paid so much money for that.”