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The cover of New Order's Technique on a light blue background

Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era

If you want to understand British music’s generational leap from punk to acid house, there is no better lead than New Order’s ‘Technique’. Released on...

On Cue: DJ IC

DJ IC demonstrates Afro house mastery for the On Cue mix series, and speaks to Tice Cin about his evolution through London’s club scene, growing up on the Aylesbury Estate, celebrating togetherness, and championing young talent

London artist DJ IC’s productions brim with lessons learned from his deep engagement with Black British music throughout his life and career. When you hear...

Released in 1985, Kate Bush's iconic fifth album, 'Hounds Of Love', saw her perfecting her experiments in sampling technology, drum machines and synthesizers, and opening...

There is a tendency to view electronic music pioneers as outliers working on the edges of the musical landscape, undiscovered geniuses blazing a trail that...

A vital document of music in 2002, ‘As Heard...’s headline-grabbing mixes of well-known tracks helped sneak a handful of underground dance classics into more than...

In 2002, when 2 Many DJ’s’ ‘As Heard On Radio Soulwax Pt. 2’ hit the shelves in Europe, dance music was in the middle of...

An unanticipated accident turned one figure skater’s dreams upside down, and opened the door to a bass-fueled future the artist now known as Whipped Cream never...

“I remember telling myself, ‘Get off the ice,’” Caroline Cecil tells DJ Mag, recalling the fateful accident that ended her competitive figure skating career as...

MHYSA’s thought-provoking work looks toward a post-binary, post-male-dominated future. It’s also some of the most atmospheric, beautifully immersive music around

“I am not grappling with notions of identity and representation in my art. I’m grappling with safety and futurity. The black diva is an archetypal...

Once focused on the techno of Detroit, Joris Voorn’s latter-day productions have conquered his native Holland, Ibiza and the world. While some have accused him...

From a devotee of Detroit to becoming the leading light of the Dutch underground scene, Joris Voorn’s ascent has been as methodical and measured as...

It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year has...

 

 

Charlotte de Witte has shot into techno’s upper echelons since assuming her real name for her productions and DJ slots. Initially using the male-sounding alias...

 

It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year...

The high-energy drum & bass sub-genre is back... and in a very big way!

Jump-up — the bouncy, bassline-led strain of drum & bass — seems bigger than ever right now. DJ Mag talks to the leading playaz in...

In a rare interview, the Music On don talks candidly to DJ Mag...

Marco Carola is an enigma. In a rare interview, the Italian techno DJ/producer and Music On promoter talks to DJ Mag about record shopping in...

plugin subscriptions

As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency? 

Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...

Best known among dance music fans for collaborating with Daft Punk on ‘Discovery’s ‘One More Time’ and ‘Too Long’, Romanthony's ‘Romanworld’ found the US producer's...

On the face of it, ‘Romanworld’ looks like a pretty conventional electronic music album. Released in 1996 by UK indie Azuli, it rounds up 12...

The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...

Even if you’ve never consciously set out to listen to ‘What They Say’ by Maya Jane Coles, you’ve almost certainly heard it before. Over the...

Georgina Quach discovers how Saigon crew Nhạc Gãy's homegrown sound, queer-friendly ethos and raucous raves are an antidote to tourist-centric nightlife in Vietnam

When Hanoian punk band Cút Lộn stormed the stage at Ho Chi Minh City club Arcan last June, a mosh-pit ensued. Red light bathed the...