“The expectations on musicians are higher than they’ve ever been,” says Chris Clark. “And the payoff is lower than it’s ever been.”The producer and composer...
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As dance music culture recovers from the pandemic, artists like Klein, Clark and Afrodeutsche are opening up new frontiers for themselves
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Acid duo Paranoid London new album boasts a beefier sound than ever, and a host of new collaborators. Here, Joe Roberts meets them and learns how a chance meeting, faster tempos and the politics of the moment have shaped their new approach
With an internet following consisting of more people than some small countries, trap duo Flosstradamus create an ultimate HDYNATION manifesto
The depths and channels of the world wide web are staggering, many of its areas have yet to even be truly dredged. For some, the...
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Artificial intelligence is at the heart of a fundamental shift in music’s role in our lives, and for electronic music, the transition will be seismic...
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The worlds of computer gaming and electronic music are merging like never before, with virtual raves, AI-generated musicians and concerts inside massive multiplayers like Fortnite...
For the first time ever, we meet the two Italians behind all those raw re-disco edits, loopy sampled cuts and technoid boogie bangers...
After going to ground and into their new studio, 'The Tiger's Lair', to record their fabulous second LP 'On The Green Again', Tiger & Woods...
Laurent discusses his free mix CD
He's mixed this month's storming SW4 covermount mix, packed with fresh French artists, ahead of an appearance at the festival. Fired up by his country's dance renaissance, he talks to us about that and loads more...
In October 2013 London’s best-known record shop, Phonica has turned 10.
Opening a vinyl-only store in Soho just over 10 years ago was seen as a risky move. The area was, and still is, saturated with...
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Audiophile sanctuaries for a premium auditory experience, listening bars — or hi-fi bars — are increasingly common in the UK and Europe. They prioritise a top-notch sound system and equipment, but increasingly differ from their Japanese forerunners. Ria Hylton learns more
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With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music
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Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
The Norwegian duo talk us through their million-selling debut LP for Wall Of Sound
How a largely instrumental album by an unknown Norwegian duo became a word-of-mouth million-selling sensation at the start of the decade, thanks to some unique...
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New York’s Kindergarten Records has become an essential outpost for hard-to-define, easy-to-dance-to club music in just two short years. Alongside a mix from its catalogue, founder Ma Sha tells Sophie McNulty how friendship and a sense of fun are at the heart of the imprint
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J Dilla changed music with his unique production style and wonky beat patterns. Ahead of an expansive new book on his life and art, Marke Bieschke talks to author Dan Charnas about the enigmatic artist’s impact
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Released on 25th May 1984, ‘Smalltown Boy’ launched the gay synth-pop band Bronski Beat into the charts and onto dancefloors with its glorious synths, hi-NRG production and Jimmy Somerville’s soaring falsetto, which sang a story of rejection, pain and escape. Here, with the help of musicians, its iconic video's director and others, Bailey Slater explores how, four decades on, it remains an unflinching anthem of queer liberation