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BFTT

With an hour of “super fun but fucked up club tunes”, Mutualism and Leftovers’ BFTT lights up the Fresh Kicks series


“Super fun but fucked up” are the words BFTT uses to describe his DJ Mag Fresh Kicks mix. It’s a fair assessment. Over 60 minutes...

The Sheffield-based DJ/producer and promoter delivers a blistering mix inspired by his recent Fabric set. He also discusses all things Hope Works, musicianship, and his...

We headed to Take Note for a day of panels & demos...

It’s a cold and grey Saturday morning and there's an icy gale blowing down London's famous Brick Lane. DJ Mag is making our way to...

Cakes Da Killa by Ebru Yildiz

Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’

In 2014, Cakes Da Killa’s uniquely sharp and agile club rap earned him an interview on New York’s premier hip-hop station, Hot 97. He never...

Recognise is DJ Mag's new monthly mix series, introducing artists we love that are bursting onto the global electronic music scene. This month, we speak...

"It's fun to synergise different genres that wouldn't normally be put together," says Textasy, aka Berlin based Dustin Evans. "Coming up with different combinations and...

Vancouver's Minimal Violence step up with an incendiary mix of supercharged electro, techno and breaks to mark the release of their new EP on Ninja...

Minimal Violence is a punk band. Sort of. Born from Vancouver’s underground punk community out of an eagerness to mix records as well as play...

Educate, communicate and take action

Editor's note: we will be updating this as a live directory, so welcome recommendations for additions. Please send to [email protected], DJ Mag supported Blackout Tuesday...

Reloop continue to make vast strides into the world of DJing...

As far as street and club culture is concerned, there is nothing more iconic than the SL1200 turntable which has featured in countless music videos...

DJ Mag ventured into the woodland of Lincolnshire for a weekend of joyful sounds, "anything goes" DJ sets and seamless curation as Lost Village reasserts...

Sometimes, if a festival is organised well enough, it barely feels “organised” at all. The stages, decorations and installations feel as though they’ve always been...

Beardyman is turning music making into a sport with his One Album An Hour show...

He's a funny sort of bloke, is Beardyman. Quite literally; a career founded on quick wit, and what he describes as the “inherently silly” art...

Bemz by Andy Lowe

Sent to live in a tiny town on the west coast of Scotland in his teens, Bemz took up music to reconnect with what he’d lost. Over a decade later, he’s cementing a legacy for himself, his family and the Scottish rap community

Everything Bemz does is driven by one thought: “For every pound I spend on music, I take that away from my daughter’s mouth. So I...

T Scan Awards, pics and perfect products. Find out what was the best DJ Technology of 2004...



After an exciting year for new DJ products, we are proud to announce the winners from the 2004 T-Scan Awards, as decided by our readers...

In this regular feature, Selections, we invite DJs, producers and label heads to dig into their Bandcamp crates and share the contents of their digital...

Clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our feet as a...

Caterina Barbieri performing the Theatro Circo at Semibreve Festival

With a carefully curated line-up of adventurous electronic music, Semibreve Festival’s 12th edition delights in the interplay between hyper-detailed electronics and dancefloor-focused beats

The late, great Peter Rehberg, musician and founder of the experimental electronic music label Editions Mego once said: “If you want to make something noisy...

Groove Armada

To the uninitiated, Groove Armada's return to making underground house music might appear something of a change in direction. It is, of course, nothing of the sort. Andy Cato and Tom Findlay have found themselves, thanks to a solid decade of commercial success, stuffed clumsily into all manner of pigeon holes; from dance-pop to pop-dance to chill-out to stadium-dance to ragga-dance and any number of other sub genres you might care to mention.