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Results for: Gnod

The Sound Of: Me Me Me

Though a clear reflection of his taste in music, Newcastle’s Me Me Me label isn’t all about its founder, Man Power. Alongside a mix from its hard-to-define and easy-to-love catalogue, the DJ and producer tells Kristan J Caryl about the imprint’s focus on bringing artists together

“There’s nothing quite like the collapse of society to make you contemplate how self-interested you may have been,” says Man Power in the first week...

Whether he’s making garage, bassline, tech-house or grime, DJ and producer Preditah’s sound is unmistakable. With his new tunes ‘Glucose’ and ‘Don’t Cry’ making waves...

There’s been an explosion of tools for extracting stems in recent years. DJ Mag’s digital tech editor Declan McGlynn outlines five of the best below

After being the holy grail for producers and DJs for decades, over the past few years, it’s become easier than ever to separate stems from...

London label Alien Jams has been releasing music that balances propulsive dancefloor energy with extraterrestrial experimentation since 2014. Alongside a mix from its catalogue, founder...

Chicago-born, New York-based footwork artist DJ Manny channels the hyper-personal, R&B-influenced sound of his new Planet Mu album ‘Signals In My Head’ in his masterful...

Nova made history last year when she became the first grime artist to win Scottish Album of the Year. An MC who wears her heart...

From 2007 to 2012, London promoters Eat Your Own Ears hosted Underage Festival at Victoria Park. Open to young people aged between 13 and 17...

Meet the MC is DJ Mag's interview series, getting to know emerging MCs on the electronic music scene. This month, Felicity Martin catches up with...

“Shaybo, ya dun know”: the name might be new to casual listeners, but to early followers of UK road rap, Shaybo is no newcomer. There’s...

After the recent tragic deaths of two people at Mutiny Festival in Portsmouth, the issue of drug safety testing has been thrust into the spotlight...

The whole point about harm minimisation is admitting that people are always going to take drugs, whatever anyone in authority says or does — so...

ADE header

Amsterdam Dance Event returned for its annual industry takeover earlier this month, showcasing more than 1,000 events at over 200 venues. With ADE back in full force post-pandemic, DJ Mag's Amy Fielding, Ben Hindle, Carl Loben, Ria Hylton and Rob Mccallum head out to the Dutch capital to sample the plethora of panels, parties and workshops on offer

While ADE did go ahead in a scaled-down fashion at the end of 2021, it’s widely agreed by delegates at this year’s event that 2022...

Windrush ship

Some of the most important DJs in the development of the UK scene are children of the Windrush generation. DJ Mag's editor-in-chief, Carl Loben, speaks to Black and mixed-race foundation DJs about their parents, racism, culture, and being pioneers in our beloved scene

This feature was originally published in 2018, at the height of the Windrush scandal, and on the 70th anniversary of the Windrush ship's arrival in...

The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...

“From 1998 to 2005 we had seven years of glory, then nobody wanted to be a DJ in hard house,” admits Amadeus Mozart, one half...

With increasing appetites for old, ‘undiscovered’ music, reissue labels have seen a boom in recent years. Running a reissue label is a tender, laborious process...

In 2014, Matt Sullivan, founder of Light In The Attic Records, travelled to Canada on a wild goose chase. He was searching for Lewis, real...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Don Diablo, or as he’s affectionately known in the DJ Mag North America office, Big Don, is an all-round entrepreneur. Though the Dutchman has been...

In East Amsterdam, tucked away on what seems like a sleepy street (though that may just be due to the icy weather), lies the home...