As we go to press with our 2020 Top 100 Clubs results, the future is, at best, uncertain. The novel coronavirus, COVID-19, pandemic has stopped...
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Results for: March
Features
Our annual Top 100 Clubs poll is back for another year. DJ Mag readers from around the world voted in their droves for their favourite...
Busting out of NYC with a cool charisma and musical genius...
“If it wasn't for New York, I wouldn’t be where I am,” Brian Cid settles into a mesh-backed swivel chair, positioned precisely in the center...
Mysteryland's US edition returns to Woodstock
Break out your hemp satchels and Birkenstock sandals. Mysteryland is returning for its second year at Bethel Woods Center for the Arts, the site of...
AKAI's latest hardware releases are going to delight Serato DJ fans...
It is no secret that the makers of the two leading DJing platforms, namely Serato and Native Instruments, are in fierce competition with each...
BBC Radio 1's Danny Howard joins DJ Mag for a new monthly column
When Radio 1's new kid on the block Danny Howard first started going out in his hometown of Blackpool, he used to go to a...
Listen
We’ve got dance music royalty giving us their Take 10 this month...
Andy Cato (the taller, fair-haired one) and Tom Findlay, who together comprise Groove Armada, have been one of the most successful dance music duos of...
Junglistic man
Since 2006 Devan Gray AKA Bladerunner has been at the forefront of Jungle-esq Drum & Bass,
Kings of the road
Once upon a time DJs roamed the planet with boxes filled with enough vinyl to cripple a sherpa and synthesisers that were so big and heavy they required two roadies to wrestle them onto the stage. Fortunately, these days, all it takes is a laptop with a couple of controllers plugged into the USB ports to do the job. Korg have been around since the beginning of the electronic music revolution, and while once they were manufacturers of hardware behemoths, they have kept abreast of the times by releasing a wide range of products in both hardware and software formats, from bulky workstation synthesisers designed to live in a studio to their micro range of keyboards, which are the perfect size and weight to be taken on the road.
We talk to the production wiz
Rhys Adams – groove hound DJ extraordinaire and reggae-obsessed producer – makes up half of reggaecentric beat fiends Yes King alongside Mark Rae. Bringing his...
Ocean Drive
Despite last night's hectic rush, there's scant rest for the wicked and we're up by midday to catch some weekend Miami rays on...
Features
Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...
There are few artists that have made as deep a mark on the landscape of UK music as Dego and Kaidi Tatham.
Traversing through the thick discographies of Dego and Kaidi Tatham renders a fascinating connect-the-dots maze of London music history, with twists and turns of different...
Dark horse Noir is entering the limelight. We got in touch to find out more...
Rene Kristensen aka Noir has a reputation for being incredibly chilled out, and he's not entirely sure why. But it could have something to do...
Dirty South sits still long enough to dissect his magnum opus, an album-turned-movie, ‘With You.’
It’s no coincidence Dirty South’s savagely popular 2010 debut record shared the same name as his label, “Phazing.” The 35-year-old’s propensity for making bold changes...
Features
The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy