Delia Beatriz stands at a unique intersection in electronic music. As Debit, the Monterrey, Mexico-born, New York-based producer, DJ, audio engineer and live artist has...
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On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
Youth and popularity - the fabric that makes up today's music industry. Enter Madeon, he's young, he's popular. Yet, in our five-hour conversation with the...
In under 10 minutes of speaking to Hugo Leclercq, the man behind the construction known as Madeon, it is clear the musical phenom is, inarguably...
Released in 1997, μ-Ziq’s ‘Lunatic Harness’ mixed jungle and out-there electronica in a way few had heard before. Here, Mike Paradinas talks to Ben Murphy about the influences that went into creating this genre-meshing gem, and his new album 'Magic Pony Ride'
EDM is a genre that swept the global club and festival scene - particularly in the U.S. - in the late 2000s, riding on a...
In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their...
Founded by Bristol DJ/producer Yushh in 2019, Pressure Dome’s focus on emerging talent and varied compilations has made it a key force in pushing UK club music to new heights. Here, alongside a mix from its catalogue, Oli Warwick learns more
Released 20 years ago, Basement Jaxx's 'Rooty' is a paean to the adaptable power of house music, a ferocious mixture of musical styles kept in...
Can London trio Dark Sky make the tricky transition to an album and live band shows? You bet they can...
Triangles have enjoyed a good innings in the last few years. Alt-J won the Mercury. And the Illuminati continued their insidious global rule via all...
Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...
Three years after its planned release date, Guy Gerber's ‘11:11’ album with Puff Daddy is finally about to arrive...
It's fitting that Guy Gerber's newest label, and accompanying series of parties, is called Rumors. After all, these have abounded since he first revealed that...
A key artist in UK rap’s second generation, Potter Payper emerged from his most recent stint in prison on a tidal wave of creative energy that...
Manchester's Happy Mondays drew influence from funk, house, and psychedelia to pioneer the Madchester sound. Here, Ben Cardew explores the lasting legacy of their 1990 album, ‘Pills ’N’ Thrills And Bellyaches’, which dropped in the midst of the Baggy takeover, and defined an era
The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...
Three decades and nearly 200 records into his career, jungle maverick Paradox is still breaking new ground, and earning new fans in the process. Ben Hindle speaks to him about using an old Amiga computer for his productions, keeping the funk in his breakbeat samples, and his dedication to performing live
From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness