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Debit

On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”

Delia Beatriz stands at a unique intersection in electronic music. As Debit, the Monterrey, Mexico-born, New York-based producer, DJ, audio engineer and live artist has...

Youth and popularity - the fabric that makes up today's music industry. Enter Madeon, he's young, he's popular. Yet, in our five-hour conversation with the...

In under 10 minutes of speaking to Hugo Leclercq, the man behind the construction known as Madeon, it is clear the musical phenom is, inarguably...

Artwork depicting 'Lunatic Harness' record sleeve

Released in 1997, μ-Ziq’s ‘Lunatic Harness’ mixed jungle and out-there electronica in a way few had heard before. Here, Mike Paradinas talks to Ben Murphy about the influences that went into creating this genre-meshing gem, and his new album 'Magic Pony Ride'

“THE PIRATES were the only way you could get to hear the jungle stuff,” says Mike Paradinas, aka µ-Ziq, reflecting on the mix of influences...

EDM is a genre that swept the global club and festival scene - particularly in the U.S. - in the late 2000s, riding on a...

We may not necessarily thank them for it – they probably wouldn’t thank themselves for it – but Daft Punk undoubtedly helped to lay the...

In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their...

Record stores and clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our...

The pressure dome logo in luminous yellow text on a black background. A luminous yellow astronaut, planet and round space ship are also in the scene

Founded by Bristol DJ/producer Yushh in 2019, Pressure Dome’s focus on emerging talent and varied compilations has made it a key force in pushing UK club music to new heights. Here, alongside a mix from its catalogue, Oli Warwick learns more

A fresh spin on a beloved sound, a pool of slept-on talent, a sharp aesthetic — there are plenty of magic ingredients that make a...

Released 20 years ago, Basement Jaxx's 'Rooty' is a paean to the adaptable power of house music, a ferocious mixture of musical styles kept in...

‘Rooty’, Basement Jaxx’s second album, was the moment when the London duo conquered pop in the name of UK house music; the apex of the...

Can London trio Dark Sky make the tricky transition to an album and live band shows? You bet they can...

Triangles have enjoyed a good innings in the last few years. Alt-J won the Mercury. And the Illuminati continued their insidious global rule via all...

Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...

In 2011, the dust from the dubstep explosion was still up in the air. The initial UK wave had split between a formulaic festival sound...

Three years after its planned release date, Guy Gerber's ‘11:11’ album with Puff Daddy is finally about to arrive...

It's fitting that Guy Gerber's newest label, and accompanying series of parties, is called Rumors. After all, these have abounded since he first revealed that...

A key artist in UK rap’s second generation, Potter Payper emerged from his most recent stint in prison on a tidal wave of creative energy that...

Potter Payper is lucky to be here. How lucky depends on how deep you probe into the many lives he’s lived. Actually, ‘luck’ probably isn’t...

‘Pills ’N’ Thrills And Bellyaches’ header

Manchester's Happy Mondays drew influence from funk, house, and psychedelia to pioneer the Madchester sound. Here, Ben Cardew explores the lasting legacy of their 1990 album, ‘Pills ’N’ Thrills And Bellyaches’, which dropped in the midst of the Baggy takeover, and defined an era

Baggy/Madchester (the terms are largely interchangeable) is one of the most globally under-appreciated musical genres to have ever emerged from the UK’s musical underground. And...

The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...

Ever since the late 1980s, UK dance music’s interactions with politicians, police officers and mainstream public opinion have been defined by suspicion, misunderstanding or outright...

Paradox: the numbers game

Three decades and nearly 200 records into his  career, jungle maverick Paradox is still breaking new ground, and earning new fans in the process. Ben Hindle speaks to him about using an old Amiga computer for his productions, keeping the funk in his breakbeat samples, and his dedication to performing live

“At the moment, I’m just trying to think of ways to bankrupt my distributor,” says Dev Pandya, his face plastered with a schoolboy grin. While...

Octo Octa in a red cut out top against a blue background

From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness

This feature originally appeared in print in the June issue of DJ Mag North America. It has been amended for online publication, due to two...