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After years in the UK underground as solo artists, brothers Tom and Ed Russell, formerly known as Truss and Tessela, have made huge strides as a duo in recent years as Overmono. Lauren Martin learns how they’ve built a sound and A/V live show that taps into UK dance music legacies, all while staying true to themselves

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Oldyungmayn spotlights experimental hip-hop, woozy shoegaze, industrial techno and more

Get acquainted with TIBASKO, the fast-rising UK duo producing festival-ready dance anthems tipped by Pete Tong, Jon Hopkins and more

On his new album based on a work of sonic fiction, Hyperdub founder Kode9 creates a strange, uncertain vision of the future, brimming with ideas and club genre mutations

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, as he releases his new album on Innervisions, Jimi Jules spotlights thumping melodic house and techno

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

From its beginnings in Yorkshire clubs to becoming a nationwide dance music phenomenon and chart success, the bassline sound has survived and thrived, despite the efforts of the police and club licensing authorities. Matt Anniss charts its rise, fall, resurgence and influence on a new generation of DJs, producers and ravers