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The dance scene owes much to gay culture...

 

Earlier this year, Lithuanian producer Ten Walls was riding on a wave of global love with his big-room smasher ‘Walking With Elephants’. Then, in...

DJ Mag attempts to find out just why he's so popular...

Mladen Solomun is a big chap. A big, bearded Balkan bombshell with a penchant for mashing up epic strings and sprawling synth-scapes with the odd...

Mason 'Exceeder' album cover featuring a wrestler in a mask and cape

When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story

“You might go to the same restaurant many times, but do you always order the same dish?” grins Iason Chronis, the artist most commonly known...

Photo of Dirty K next to the packshots of releases chosen in his Selections

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks

The hyperactive tracks on Chinese producer Dirty K’s ‘Myogi 妙義’ EP serve a dual purpose. Released via Eastern Margins – a London-based label dedicated to...

The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...

“From 1998 to 2005 we had seven years of glory, then nobody wanted to be a DJ in hard house,” admits Amadeus Mozart, one half...

One of dance music’s most recognisable characters is growing up. We talk to Seth about the repetitive party lifestyle, being a catalyst for change, and...

Seth Troxler’s reputation is such that he’s on first-name basis with the whole of electronic music. He’s put himself out there — often literally —...

Octo Octa in a red cut out top against a blue background

From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness

This feature originally appeared in print in the June issue of DJ Mag North America. It has been amended for online publication, due to two...

The man, the myth, the legend...

One of the great characters in global electronic music, Mr C is a visionary, artist, actor and activist. He’s been prominent in the underground for...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Before his death in 1982, Patrick Cowley produced some of the American gay underground's most thrilling dance music, from chart-topping disco to radical club tracks...

There’s a notorious scene in 1980 thriller Cruising that might be the best fictional time capsule we have of a wanton, unfettered gay dance floor...

Congo Natty

On his upcoming 25-track opus ‘Ancestorz’ — which he describes as his life's work — long-serving jungle soldier Congo Natty unites many voices from across the diaspora, joining dots through the history of Black music and celebrating the new jungle generation. In a series of in-depth interviews for DJ Mag, he talks to Dave Jenkins about love, revolution, unity, and reclaiming his place in the history books

“This isn’t an interview, brother, this is an outerview!” Congo Natty declares. He draws on his spliff, holding DJ Mag’s gaze with intensity. Even through...

Batu press shot surrounded by purple flowers

Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him

On a cool night in upstate New York in September 2019, the floorboards of a wooden hut at Camp Kennybrook are shuddering with bass. Somewhere...

Denis Sulta is the flamboyant DJ who packs out enormous clubs around the world, famed for his subversive selections and image. But getting there has...

Hector Barbour is 17 years old and trying to get into a club for the first time. Queuing outside Glasgow’s Vic Bar, part of the...

Born in the UK in the early ‘90s, during a period of explosive creativity, the freeform breakbeats of jungle became the soundtrack to many producers’...

An avalanche of snare drums, sub-bass that pulverises your rib-cage, possessed divas wailing from the abyss; fragments of funk, shards of techno, dabs of dancehall...

Indira Paganotto in a red, white and black jacket

Spanish DJ, producer and ARTCORE label founder Indira Paganotto’s irresistible hybrid of techno and psytrance has made her a huge star on festival stages and in superclubs, but her rise to the top has been beset with challenges. Niamh O’Connor speaks with her about sticking to her principles, her love of psytrance, the importance of the underground, and the balancing influence of family

Few artists have fused the worlds of bright psytrance and booming techno as smoothly as Indira Paganotto. The Spanish producer, DJ and founder of the...