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Billy Nasty shot by Carl Loben

A stalwart of the UK’s dance music community for over 30 years, DJ Billy Nasty was a pioneer of '90s progressive house before launching his techno and electro labels, Tortured and Electrix. A true vinyl devotee, he now runs the Vinyl Curtain record shop in Brighton. Harold Heath meets him in his home town to talk mix CDs, underground dance music history, running labels and the enduring importance of vinyl DJing

It’s fitting that DJ Mag meets acid house original, world-class DJ, UK techno trailblazer, mix-CD pioneer and vinyl-devotee Billy Nasty in his record shop The...

As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of...

Bickering over genre definitions is a time-honoured tradition in dance music. One of the weirder etymological developments of recent years is the changing meaning of...

With the second summer of love’s thirtieth anniversary fast approaching, it’s perhaps no surprise to learn that some of electronic music’s early groups are reaching...

Nine artists old and new that have been making a lot of noise recently...



EVA GEIST

Morphic resonance theory...

Influenced by the divine spirits, lost paradise and nomadism, all roads for Italian-born Eva Geist have led to Berlin to...

Digitality digging in the crates

WhoSampled is the go-to website for dance nuts investigating the funk, soul and electronic music samples that underpin their modern day favourites. Growing from a...

Chicago's local authorities are supporting the city's first ever house music festival: DJmag.com interviewed the festival's organisers.


Chicago will host its first house music festival (Move!) in July


The local authorities are supporting Move! Festival


Lady D will DJ at Move! Festival...

Here's the up-and-comers we've got our eye on...

Theo Kottis
Theo Theo Theo!


If you haven't seen Theo Kottis' name about town yet, it won't be long until you do. Picked for Groovefest...

To coincide with his new album release, Omid 16B picks out ten tracks key to his musical development over the years

The output of British-Iranian Londoner Omid Nourizadeh comes in many shapes and forms; from the deep house records under one of his many aliases Changing...

From back-to-back travel and navigating unknown places, to the thrill of peak time raving and the low of the next day, touring DJs lead lives...

I was booked to play at Beat Hotel in Glastonbury. I was really, really excited; I’d played Glastonbury before, but it was for smaller, little...

The latest and greatest DJs and producers rising to the top this month. From psychedelic techno and frosty EBM to glimmering experimental pop and club...

DJ Clea is a vital new voice to emerge from the ever-curious Swedish house scene. The Stockholm-based DJ and producer has most recently landed on...

Pirate Studios has given thousands of young producers and musicians affordable access to recording and DJ studios, encouraging collaborations, community and creativity. As an uncertain...

Since 2010, the UK has seen a decimation of local authority culture and arts budgets, with almost £400m being stripped out of annual spending since...

The latest and greatest DJs and producers rising to the top this month. From thunderous techno and languid house to colourful bass and EBM, here's...

Yura Khlop, aka SE62, is a permanent fixture within Kiev’s dance music scene. After being invited to play alongside Mike Huckaby in 2015, he joined...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

He was the Electrifyin’ Mojo of the indie disco. The bootleg king. The electroclash god. But when each of those scenes imploded, Erol Alkan stepped...

Erol Alkan was 27 when he received his first album offer. Kylie Minogue had just performed his ‘Can’t Get Blue Monday Out of My Head’...

With music venues shuttered across the nation, and no timeframe for reopening, the future looks bleak for UK clubbing. DJ Mag speaks to venue owners...

Being in close proximity with people you don’t live with is a dangerous activity. Being in a confined space is a dangerous activity. Dancing close...