As styles and sounds establish themselves in the ever-expanding electronic and dance music landscape, there are few better crash courses than a good compilation. In...
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Results for: Mark Archer
2019’s best compilations celebrated innovative styles and fusions from across the globe, as well as some of underground dance music’s formative sounds. Below, you'll find...
We fire some questions at the Lobster Boy boss ahead of his DJ Mag Sessions in Wolverhampton on 28th May
For those who lived through the so-called ‘post-dubstep’ years, it was an exciting time merging various forms of bass-driven music in innovative and exciting ways...
Dubstep figurehead Skream has gone euphoric, smashed the templates, and upped the tempos. His new album ‘Outside The Box’ confirms he’s not content to be...
Remember a few years back? All that hoo-ha about nu-rave? Which sounded so promising but proved to be nothing more than a few indie kids...
DJ Mag chats to James Ford about making the new LP, aliens, cowboy ghost towns, destruction and drones...
When the Klaxons joked that their producer, James Ford, communicated with aliens through his hair, they weren’t only paying tribute to his curly black locks...
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The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...
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The latest and greatest DJs and producers rising to the top this month. From UK rap fusions and politically charged electronic experiments to lush vocal house and colourful bass, here’s here's March 2022's list of upcoming talent you should be keeping track of
DJ Mag chats with international superstar Fei-Fei, who proves that dreams can come true...
As police sirens ring in the distance and a pink sunset spreading its vapors over the Los Angeles skyline, Fei-Fei embodies urban royalty and creativity...
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Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Kiwi is the former photographer who now rubs shoulders with Duke Dumont & Andrew Weatherall. We sit down in Dalston to chart his rise...
Making it as a successful DJ is a tough gig. It takes commitment, passion and most of all, persistence. No one knows this better than...
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Irish artist Lighght records an immersive mix of ambient electronics, field recordings, traditional folk and R&B edits, and speaks to Eoin Murray about his organic...
2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...
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Tiffany Calver is redefining the role of the rap DJ. As well as helming the influential Rap Show on BBC Radio 1Xtra, she hosts club nights, runs her own label, and DJs for superstars. But, as she reveals to Christine Ochefu, her journey to the top hasn’t always been easy
“The foundation of Dirty Dutch was always about embracing different genres of music, I mean, I’m built that way.” Dutch DJ/producer Chuckie is always one...
Chuckie is a man of exacting standards and surprising sentiments. Arguably the original pioneer of the Dutch house movement, Clyde Sergio Narain has made...
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Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2020