Mo’Wax was undoubtedly one of the most important British record labels of the 1990s, showcasing a kind of retro futuristic approach to art, where aesthetic...
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Features
DJ Shadow's debut album, 'Endtroducing.....', released via UK label Mo'Wax Records in 1996, presented abstract, instrumental hip hop as a worthy deviation from the...
Features
Having trained as a classical pianist as a child in Turkey, before becoming a successful techno artist in Berlin, Nene H has been on a...
Features
With an IRL event impossible this year, the team behind Belgian mega-festival Tomorrowland created a revolutionary interactive virtual world in under three months. Here’s how...
Features
DJ Mag’s tech editor, Mick Wilson, investigates Black and non-Black POC representation in the music tech sector, and what industry leaders are doing to address...
Music
As a show of solidarity to support the artists and labels impacted through the global pandemic, we are launching a weekly roundup of the most...
Features
It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?
Features
The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...
Features
Japan is producing some of the world’s most vital techno, though its roots go way back to the late 1970s. We talk to some of...
Since the end of World War II, Western culture has loomed large over everyday life in Japan. The decades since have brought about a wide...
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Brazilian DJ and producer ANNA's techno sound marries kinetic grooves with a wealth of emotion. With gigs all over the map and some of the most...
As someone who’s been DJing since she was 14 years old, it’s rare that Brazilian techno star ANNA is lost for musical inspiration. But DJ...
Features
Johannesburg-based artist Jazzuelle is driven by intuition, experimentation and personal evolution. We speak to one of South Africa's most vital talents about his new album...
Cape Town born, Johannesburg-based Jazzuelle AKA Thando Tshoma has been one of the most prevalent artists in the South African dance music scene for some...
Techno rises in the heart of the Midwest and with it, a bold call to action.
DJ Mag meets Lisa Smith on a winter afternoon in The Black Madonna’s crowded Chicago apartment. A large film crew is staging lighting...
A guide to dance music's pre-rave past
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
The Norwegian duo talk us through their million-selling debut LP for Wall Of Sound
How a largely instrumental album by an unknown Norwegian duo became a word-of-mouth million-selling sensation at the start of the decade, thanks to some unique...
London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.
“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”
Features
From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness