Search

The California-raised producer Channel Tres is a natural born trailblazer. As the name behind Compton House, he’s found admirers for his self-coined genre within funk, hip-hop and pop audiences. In his forthcoming album ‘Head Rush’, he’s expanding upon that diverse aesthetic by tapping into his divine intuition to tell his life story and introduce the world to new depths of his musicality

From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

If hard techno is energetic work, then Sara Landry is a divine healer. Driven by an innate desire to connect with and unite the crowd, the California-born DJ is often credited as the high priestess of the breakneck sound, but behind her signature cloak of organised chaos lies an unshakable force for good. We catch up with the international star to learn more about her spellbinding sets, and why the masses are craving a fierce new edge

Belfast’s Irish language rap trio Kneecap have created a serious buzz with their fiery, politically-attuned lyrics and chaotic live shows. Their Toddla T-produced debut album, ‘Fine Art’, and forthcoming feature film are set to catapult them even further onto the global stage. But as Brian Coney learns, their commitment to their native tongue, doing things their own way, and reshaping the narrative of modern Belfast remains their top priority