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The aftermath

You may have followed the gonzo tweeting from our roving US reporter, Drew 'Drewzilla' Millard, on the ground at Ultra Festival, Miami, for 2011’s...

Having risen as a prominent member of seminal Peckham drill collective, Zone 2, Kwengface is now a certified veteran of the scene. Pairing his sharp...

It’s late June, and Kwengface is up in the mix of meetings, promo and press around his highly anticipated solo tape,‘YPB: Tha Come Up’. But...

Duke Dumont, whose new single 'The Giver (Reprise)' is out this month, is at home trying to get some music done when DJ Mag calls...

Is it true that your first official release was a remix for Wall of Sound?
“Yeah, my first ever legit music industry-related release was a...

Benny L’s drum & bass productions have become some of the most coveted in dance music, topping the Beatport charts and released by institutions like...

Patience is a virtue, possess it if you can. It’s a quality that’s seldom, if ever, found in a modern-day drum & bass fan. For...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

Another year, another fantastic Outlook!

Every year, 16,000 or so bass music fans make the pilgrimage from all over the world to a small coastal town in Pula, Croatia for...

The ever-rising DJ and producer takes us on a tour of his beloved hometown...

It’s an unseasonably hot day in London when DJ Mag sets off to meet Theo Kottis. A Scottish producer with a story to tell, Kottis...

on a ragga tip xl recordings

Lifting the vocals from Jah Screechy’s reggae standard 'Walk & Skank’, SL2’s‘On A Ragga Tip’ surfed the hardcore rave wave at the turn of the 1990s before crossing over to bring breakbeats and bass into the pop charts. The track has transcended genres and styles to stand alone as an enduring dance classic. Joe Roberts calls up Slipmatt, aka Matt Nelson — the ’S’ in SL2 — to learn its story

‘Ey ey ba day ba wadladie day’ The opening lyrics to SL2’s ‘On A Ragga Tip’ immediately come up when you type its title into...

U K, G?: the electronic music collectives opening up conversations around mental health

Sticky Tapes, eott and Don’t Keep Hush tell Jack Ramage how they’re helping to shift perceptions around wellbeing in dance music

The stigma surrounding mental health has drastically changed over the last decade, with people beginning to realise how important it is to talk about their...

Once focused on the techno of Detroit, Joris Voorn’s latter-day productions have conquered his native Holland, Ibiza and the world. While some have accused him...

From a devotee of Detroit to becoming the leading light of the Dutch underground scene, Joris Voorn’s ascent has been as methodical and measured as...

Exploring the rich raving history of East Anglia

The dance music history of East Anglia is rich, multi-layered and messy  — and little documented. Matt Anniss chats to some of the scene’s longstanding figureheads about the region’s airfield parties, seaside throwdowns and forgotten clubs, discovering a vital but rarely discussed stage in the UK’s rave evolution

It’s just gone midnight and the dancefloor at Mossy’s, a two-floor nightclub above the Harbour Inn in Lowestoft, is heaving with life. Andrew ‘Richie’ Riches...

Flux Day & Night, Cocoon In The Park, Farr Festival, Sequences, Nozstock and Shine says goodbye to Mandela Hall...

Britain is in the midst of its best summer in years, so thankfully the Top 30 UK events in July 2018 afford plenty of opportunities...

To celebrate 25 years of the DiY collective, here are some memories from the early 90s

The late 1980s, early '90s were a halcyon time for music. Free parties, electronic music, protest and what later became known as the “second summer...

The latest reworking of the dance music archive?

Two decades after they first inspired the establishment to try and legislate against dance music, the breakbeats that fuelled jungle and hardcore have found new life at the hands of producers who were in nappies when 'Terminator' was first released. But what’s behind this latest reworking of the dance music archive?

Gobstopper Records head, Mr. Mitch, discusses Black experiences, the white gaze and his decisions as a label boss

My name is Mr. Mitch, I am Black, I am an artist, and for the past 10 years I have also been running the label...