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Features
8 photobooks that capture electronic music's vibrant history

Electronic music's subcultures have been documented by a host of photographers and archivists in the last four decades, and some excellent photobooks have been released...

During the 1980s, renowned photographer, broadcaster and DJ Normski was immersed in London’s hip-hop culture, his lense capturing a critical moment before the genre went...
Features
Meet The MC: Shaybo

Meet the MC is DJ Mag's interview series, getting to know emerging MCs on the electronic music scene. This month, Felicity Martin catches up with...

“Shaybo, ya dun know”: the name might be new to casual listeners, but to early followers of UK road rap, Shaybo is no newcomer. There’s...
Features
In conversation: Anz & DJ Paulette

Two generations of Black women speak about their experiences in dance music

After reflecting on how we can tackle the issues around racism and racial injustice within the electronic music industry as a publication, we delivered our...
Features
Meet The MC: Leïti Sène

Rapper and actor Leïti Sène is flipping drill’s macho aesthetic on its head with a softer sound dubbed ‘cute drill’, combining the world-conquering sound with...

Barcelona is a city famed for its artistic and creative spirit, an inspiration to 20th century greats Picasso, Dali and Miro. Today the Catalan capital...
Features
How Black-led music organisations are creating opportunities for emerging talent

Black-owned music organisations, radio stations and record labels are helping to create vital platforms for Black producers and DJs who’ve been held back by systemic...

Though all genres of Black music have been subjected to exclusion, commodification and whitewashing, Black ownership in music varies. While rap and hip-hop are largely...
Features
The Sound Of: Worst Behavior

Compiling hyper-speed, sci-fi sounds from producers across the globe, Anna Morgan and Bell Curve’s Worst Behavior has quickly become a force to be reckoned with...
News
How emerging rap producers can get paid for their music

Our new DJ Mag Originals video series, Meet the MC, launches today (4th March). As well as telling the stories of this crucial new wave...

Paradoxically, in 2021, starting out as a rap producer is both easier and harder than ever before. Easier, because young beatmakers have more tools at...
Features
Meet the MCs shaping South-East Asian hip-hop

Across South-East Asia, a new generation of rappers is emerging. Drawing on the explosion of US trap and contemporary hip-hop sonics, and creating new flows...

Indonesian rapper and producer Ramengvrl makes trap music with a twist. Her skeletal beats feel alive, somehow: squishing, chiming, and bouncing around, as her staccato...

Houghton Festival 2022 lasers over the Pavilion stage
Features
Houghton festival: explore the sound systems at the UK's electronic music marathon

Houghton Festival returned for the first time in four years earlier this month after surviving against the odds. DJ Mag’s Rob McCallum steps into curator Craig Richards’ musical world to rediscover a meticulously programmed audio/visual masterpiece

Set around a lake in the stunning parkland belonging to Houghton Hall in Norfolk, Craig Richards’ Houghton Festival has survived against the odds. After being...

aslice
Features
Aslice wants to fix the imbalance between DJ and producer incomes, here’s how it works

DVS1's new service Aslice asks DJs to donate a percentage of their fees to the artists whose music they play. Will it revolutionise how producers are paid in electronic music?

Aslice is a new platform founded by DJ and producer DVS1. The service is designed to help close the gap in income between DJs and...
Features
Solid Gold: DJ Shadow's 'Entroducing....' is a masterclass in the art of sampling

 

DJ Shadow's debut album, 'Endtroducing.....', released via UK label Mo'Wax Records in 1996, presented abstract, instrumental hip hop as a worthy deviation from the...

Mo’Wax was undoubtedly one of the most important British record labels of the 1990s, showcasing a kind of retro futuristic approach to art, where aesthetic...
Features
Who owns the night?: the complicated reality of the Night-Time Economy

The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...

Ever since the late 1980s, UK dance music’s interactions with politicians, police officers and mainstream public opinion have been defined by suspicion, misunderstanding or outright...
Features
Grassroots action: how Young Urban Arts Foundation are helping young people through creative pursuits

DJ Mag speaks to Young Urban Arts Foundation about their vital work using music and the arts to help young people from hard-to-reach areas

“I can never understand what someone can get out of hurting another with a word or an object / I never knew at a small...
Features
DJing & the Data Wars: How cloud DJing will transform the industry forever

Data is the new currency and DJing is about to get rich. The endless stream of data generated from cloud DJing will go on to affect...

It’s the year 2025. You’re having dinner with a friend, and your phone vibrates with a notification — Charlotte De Witte is playing your record...

A copy of Ears To The Ground on a light blue background
Features
Ears To The Ground: Dance music, found sounds, and cultural heritage

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...