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Dutch DJ on his Top 100 DJs Legend Award

During last month’s ADE we crowned Tiesto with the Top 100 DJs Legend Award, brought to you by Royal Dutch Airlines. The award was chosen by Top 100 DJs voters, who were asked to name ‘the best DJ of the last 20 years’.

Massive Sandsystem!

DJ Mag finds itself in a desert, 200km from the nearest city and surrounded by enormous soundsystems for Monegros Festival, but is the music as far out as the location?

Objektivity boss is fed up with being known as Mr 'Hey Hey'

“Everyone wants to call dance music EDM these days but I call that shit that’s popular — you know, the cheesy stuff — I call it PDM,” says New York DJ Dennis Ferrer.
“That stuff everyone is going on about, it’s pop dance music. I take offence when someone calls my shit 'EDM' and lumps it in with all the crap. What I do is what I’ve always done, and I don’t like someone calling it anything else.”

German producer Kris Menace — famed for his huge, filtered and electro-funkin' house — has collaborated with a string of singers for his latest album...

“I love listening to a cool techno DJ, in a club, but if you go and see Swedish House Mafia DJ, for example, there’s no artistry involved. They are just getting behind the decks, with a finished CD, and pressing play then putting their hands in the air. This is something that is so wrong, because they get paid so much money for that.”

The seminal tracks that altered dance forever!

In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.

Pioneer’s new XDJ-Aero Controller gives DJs Wi Fi capabilities, but will its hi-tech wizardry fly high or come crashing down to the earth?

Pioneer have just released one of the most intriguing and hyped pieces of DJ equipment — the Pioneer XDJ-Aero. It's not often that a product can live up to the expectations that this kind of hype generates, but Pioneer have outdone themselves and have managed to create something truly revolutionary with the XDJ-Aero.

Hotly-tipped Mancunian techno man Indigo talks

That dubstep is a scene in flux is one of the truisms of dance music, like saying 'music sounds better loud' or 'Sven Väth enjoys...

Soft synth supremos Arturia have answered our prayers with a stupendous package of some of the most iconic synths ever in handy software form -...

Part of becoming older, and part of the old-skool, is becoming jaded and harder to excite. Once upon a time I couldn’t walk past a...

Photo of They Hate Change posing in front of a large green door. Beside them is a variety of packshots of releases chosen in their Selections

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, They Hate Change spotlight deep Florida breaks and bass, Gulf Coast gold, jam bands, indie, dub and more

For Vonne Parks and Andre Gainey, music discovery and exchange are fundamental to music making. The magnetic rap duo first bonded as teenagers in Tampa...

Underworld ‘Dubnobasswithmyheadman’ CD case opened on a black baground

Released on 24th January 1994, Underworld’s third album (and first with DJ Darren Emerson) blended outlandish art-rock ideas with singular takes on house, techno and ambient music. Here, Ben Murphy reflects on its genre-fusing legacy

This feature was originally published in 2019 for the 25th anniversary of ‘Dubnobasswithmyheadman’ In 1994, live performances by UK dance acts were big news. Electronic...

How The Chemical Brothers' 'Dig Your Own Hole' predicted the post-genre pop future

The Chemical Brothers' second album, 1997's 'Dig Your Own Hole', radiated ambition and adventure, and was their first to hit No.1 in the UK charts thanks to a string of landmark singles. Here, Ben Cardew explores how 'Dig Your Own Hole' altered the Chems' creative trajectory, predicted our post-genre pop future, and catapulted them to new heights

Note: this article was originally published in 2018 The Chemical Brother's second album, 'Dig Your Own Hole', was perhaps not the best electronic album of...

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...

A Saoirse DJ set is an essential experience for any raver worth their salt. The Dublin-born, London-based DJ is synonymous with electrifying, eclectic mixes that...

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...