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Independent record labels are thriving by adapting to new models and branching out into management, distribution, publishing and clothing. DJ Mag finds out more...

If there’s any sector in dance music that has had to be genuinely run ‘for the love’ and ferociously adapt to survive the music industry’s...

Running the musical gamut from minimal techno to abstract hip-hop, dubstep to Baile funk, via ska, electro pop, house and Balearica, Sonar truly has something...

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Can Matt Edwards, aka Radio Slave, really do no wrong? Not content with simply knocking out the funkiest techno and most mind-twisting house with...

The raucous rhythms of Jersey club have been everywhere lately, and UNIIQU3, aka the Jersey Club Queen, is one of the main reasons why. Bruce...

The voice on the other end of the phone is murmuring gentle orders: “Black, please. Middle strip rainbow. Yeah, like that.” A few seconds pass...

Windrush ship

Some of the most important DJs in the development of the UK scene are children of the Windrush generation. DJ Mag's editor-in-chief, Carl Loben, speaks to Black and mixed-race foundation DJs about their parents, racism, culture, and being pioneers in our beloved scene

This feature was originally published in 2018, at the height of the Windrush scandal, and on the 70th anniversary of the Windrush ship's arrival in...

Octo Octa in a red cut out top against a blue background

From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness

This feature originally appeared in print in the June issue of DJ Mag North America. It has been amended for online publication, due to two...

Daniel Avery in black and white looking at the camera in a big fur coat, white shirt and black tie

Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall

It’s a Monday morning, and we’re sitting in the garden of a modest café in Newington Green, North London. Outside, the final rays of summer...