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The year's essential comp cuts!

It's impossible to ignore the way the web has changed the modes and mediums of music. MP3s at the click of a mouse and free...

"Smoke weed every day."

You’ve got to give it to them – Das Racist are like nothing else out there.

The Brooklyn-rooted hip-hop duo first hit the scene a...

Cormac posing in profile against a grey blue background. He's wearing an orange coat with a white hood and a blue baseball cap

With his new podcast, Queerly Beloved, Northern Irish DJ Cormac explores what it means to be a queer artist in dance music today. Interviewing contemporary figures about their histories of queer discovery, the Panorama Bar and fabric regular continues an intergenerational conversation surrounding the life-affirming moments, communal  experiences and enduring challenges of LGBTQ+ expression. Alongside an On Cue mix packed with HI-NRG anthems and Italo house, Marke Bieschke learns more

What is “queer music”? For some, the term recalls debauched downtown discos of yore, with unbridled backrooms, fabulous androgynes, and Liza Minnelli descending to the...

The pressure dome logo in luminous yellow text on a black background. A luminous yellow astronaut, planet and round space ship are also in the scene

Founded by Bristol DJ/producer Yushh in 2019, Pressure Dome’s focus on emerging talent and varied compilations has made it a key force in pushing UK club music to new heights. Here, alongside a mix from its catalogue, Oli Warwick learns more

A fresh spin on a beloved sound, a pool of slept-on talent, a sharp aesthetic — there are plenty of magic ingredients that make a...

Plastikman album cover

Brooding and austere, Richie Hawtin’s third album under the Plastikman alias is a minimalist masterwork

When first encountering ‘Consumed,’ Richie Hawtin’s third studio album under the Plastikman name, a normal reaction might be like that of the prehistoric hominids in...

Gonzo's

With its on-the-pulse line-ups, great sound and inclusive atmosphere, Gonzo's Two Room is making Norwich a dance music destination. Here Ben Murphy heads to the club, and chats to its team, to learn what makes it so special

It’s one in the morning and a capacity club crowd is bristling with excitement. The rammed dancefloor is a diverse mix of ethnicities, genders and...

Stay True Sounds logo on a pink background

South Africa’s biggest independent label is taking house music to new heights and changing the lives of local artists in the process. Alongside a mix of tracks from its catalogue, founder Kid Fonque speaks to Kitty Amor about the rise and rise of Stay True Sounds

Over the past six years, three words have come to dominate any conversation about South African electronic music: Stay True Sounds. Recognised as the biggest...

On Cue: Perel

NYC/Berlin-based DJ, producer and vocalist Perel records a mix of wavy nu disco, thumping house and Italo for the On Cue series, and speaks to Katherine Rodgers about regaining her confidence after a debilitating label experience, and her bold and irreverent new album, ‘Jesus Was An Alien’

With her bright, exuberant personality and predilection for infectious dance music polished to a pop sheen, you’d be forgiven for thinking of German DJ and...

On Cue: Chrissy

San Francisco’s Chrissy sprints from house, Hi-NRG and EBM into UKG and breakbeat hardcore in his ecstatic On Cue mix, and speaks to Marke Bieschke about reviving rave’s original mission on his Hooversound album, ‘Physical Release’

Does rave need a do-over? Three decades on, some of the movement’s most ardent believers have become its fiercest critics. 
“Our scene has failed to...

Solid Gold - Chemical Brothers 'Come With Us'

‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career

The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...

Lukas Wigflex and the team behind his eponymous party brand have offered the people of Nottingham countless opportunities to let loose over the past decade...

“The first few events were all just a bit of fun. We just wanted to hear the music we liked that wasn’t being played in...

Drawing influences from rock music, weird films and the “creepier side”, TeeZandos is upending expectations of what a drill MC can be. With her star...

TeeZandos is the Antichrist of drill, dousing your expectations in lighter fluid and striking a match. She does what she wants, she says what she...

Electronic music's subcultures have been documented by a host of photographers and archivists in the last four decades, and some excellent photobooks have been released...

During the 1980s, renowned photographer, broadcaster and DJ Normski was immersed in London’s hip-hop culture, his lense capturing a critical moment before the genre went...

Twenty years after it first lit up dancefloors around the world, Rui Da Silva and Cassandra Fox's No. 1 hit ‘Touch Me’ is transcending generations...

The UK chart’s first No. 1 single of 1981 was the saccharine ‘There’s No One Quite Like Grandma’; in 1991, it was Iron Maiden’s turbo-charged...

Following his viral Facebook videos calling out Hospital Records for their part in the whitewashing of the drum & bass scene, founder of the Black...

This whole situation with me saying all this stuff about Hospital Records, and about the jungle scene at large, is pretty mad. A lot of...