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Cassius Select, Wanton Witch, GЯEG, more contribute to new compilation on Nehza Records

Each track title on 'Transnaturel' encompasses the theme of climate change and emergency

Nehza Records has released a new compilation, 'Transnaturel'. Check it out below. The brainchild of Rinse France resident RONI, the imprint - which launched in...

Jana Rush announces new mini-album on Planet Mu, ‘Dark Humor’

Check out the video for ‘Lonely ft DJ Paypal’ now

Jana Rush has announced a new mini-album, 'Dark Humor', which will land on 25th March via Planet Mu. The record follows on from the Chicago...

As the band prepare to make their fully-fledged comeback...

Swedish House Mafia have split with their longtime manager barely five months since they returned to live performing.

Amy Thomson, who has worked with the...

This year our flagship publication, DJ Mag UK remains at the forefront of dance music journalism, with a focus on established and up-and-coming underground talent...

Switzerland-based Mina Records head honcho Masaya drops five of her Studio Essentials...

Mar were born robbie says attractive roles are like absolutely no playing styles up not at all

S he is 's the problem of the...

We catch up with Norman Cook aka Fatboy Slim

NORMAN Cook is the Brighton-based beat king famed for his hugely popular incarnations as Beats International, Mighty Dub Katz, Pizzaman and, of course, Fatboy Slim....

The cover of New Order's Technique on a light blue background

Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era

If you want to understand British music’s generational leap from punk to acid house, there is no better lead than New Order’s ‘Technique’. Released on...

Italian techno producer and live artist Giorgia Anguili began her musical journey in the classical realm, before gradually finding herself captivated by the power of...

“Forget prejudices. If the music is created with a pure soul, no matter about its genre, let the sounds resonate within you. Explore different things...

12 emerging artists you need to hear this August

The latest and greatest DJs and producers rising to the top this month. From jungle and Afro house to experimental dub and techno here's August 2022's list of upcoming talent you should be keeping track of

With his face hidden to keep the focus firmly on the music, South London’s Anti Traxx channels his Jamaican heritage — “growing up around soundsystems...

With increasing appetites for old, ‘undiscovered’ music, reissue labels have seen a boom in recent years. Running a reissue label is a tender, laborious process...

In 2014, Matt Sullivan, founder of Light In The Attic Records, travelled to Canada on a wild goose chase. He was searching for Lewis, real...

As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...

DJs and producers are supposed to be on the same side. For decades now, producers have made the music, and DJs have played it. Simply...

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The results for 2019’s Top 100 DJs poll have been announced

Armin van Buuren has won the Highest Trance award at this year’s DJ Mag Top 100 DJs 2019. He holds steady in fourth place after...

Experimental sound artist, rkss, delivers a high-intensity mix of pop manipulations, Jersey club, footwork and frenzied EDM as part of our Fresh Kicks series

rkss’ Fresh Kicks mix opens with a frenzied mash-up of metallic flutes, propulsive kicks and the isolated vocal from Rhianna’s ‘Diamonds’. It’s a striking opening...

DJ Mag’s Solid Gold series revisits and examines the ongoing influence of seminal albums throughout history. Here, DJ Mag's Digital Tech Editor Declan McGlynn examines how Prince's...

As the chorus for ‘Purple Rain’ rang out of First Avenue in downtown Minneapolis on a humid August evening in 1983, no one sang along...