A camera’s view taken from a drone rises above an London cityscape, revealing countless rows of suburban houses and greenery. Below, a ballied-up teenager starts...
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Swedish DJ/producer Axel Boman's name crops up on all the best festival and club line-ups, DJ set lists and label discographies. His imaginative, freaky tunes...
Axel Boman is “trying out a new look”. He’s wearing an all black turtle-neck jumper and floppy black cricket cap, but he’s not sure it’s...
UK drill videos have played a crucial role in the sound's meteoric rise, with platforms like Mixtape Madness, Link Up TV, SBTV, and Pressplay Media...
He’s spent the last seven years honing an undeniable sound. Now Tchami will unveil his first full-length album, ‘Year Zero’
Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...
It’s true that house music would still exist if Marshall Jefferson hadn’t been around to guide it — but it’s equally correct to say that without Jefferson...
DJ Mag visits French producer Madeon in his LA home to learn about his meticulous process, and why he’s happiest when he’s working
Detroit-raised polymath Jimmy Edgar has always stood out as an artist of out-there brilliance. But since starting Ultramajic, alongside Machinedrum and Pilar Zeta, he’s manifested...
"The universe is all about creativity, it's all about learning, it's all about knowledge," Jimmy Edgar ventures when we sit down to talk about Ultramajic...
Following the massive 'Mr Spock', Dirtybird's Justin Martin finally gets the props he deserves...
San Francisco’s Dirtybird Justin Martin has been bubbling under for years as your favourite underground DJ/producer. But the amiable tech house nut has his sights...
DJ Mag’s Miami Music Week pool party is taking place at the Sagamore Hotel on Wednesday (20th March), in association with Epic Pool Parties, and we’ve again pulled in a top-notch line-up for the festivities. Here we catch up with every artist playing at the party: ANOTR, AQUTIE, Chloé Caillet, Joseph Capriati, Louie Vega, and Ms. Mada
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
From the birth of acid house and the free party scene, through the era of super clubs and into the digital age, flyer design has...
The worlds of computer gaming and electronic music are merging like never before, with virtual raves, AI-generated musicians and concerts inside massive multiplayers like Fortnite...
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
TOKiMONSTA is the rare kind of artist who transcends genre — a producer who has worked with everyone from Flying Lotus to Skrillex and Anderson...
Tackling extraordinary challenges and pitfalls in his life, Detroit’s Robert Hood is a passionate advocate for the transformative power of electronic music. An ordained Christian minister, we meet him in Berlin after...
In the early hours of the morning on November 10, 1938, anti-Semitic rioting raged across Nazi Germany, in a pogrom that saw more than 100 Jews killed and 267...