When Róisín Murphy performed at the massive 10,000-capacity queer warehouse rave Homobloc in November, she was readying her latest solo album, ‘Róisín Machine’ — her...
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Features
Róisín Murphy is back with her fifth solo album, ‘Róisín Machine’. Carl Loben catches up with her to talk artistic exhibitionism, lockdown videos, her early...
The GRAMMY winner tells all...
Owner of music brand Fool’s Gold and youngest DMC champion DJ to this day, Grammy-winning producer A-Trak is a name that has rightfully earned respect...
Discovering their shared roots, both geographical and musical, Dutch duo Steffi and Martyn started a friendship that eventually led to the studio. The resulting project...
If the '90s was an area of rainforest, natural home to the much sampled rave loon, then its rate of deforestation would have long passed...
Critically acclaimed and wholly unstoppable, musical genius BT doesn’t break boundaries. For him, they don’t exist.
Everyone told BT it was impossible. Record labels and agents, promoters and peers said his vision for ‘Electronic Opus’, a unique mixture of live electronic...
An intimate look at the bass wizard behind Flux Pavilion reveals a magnetic soul who uses his feelings as a force to drive his creations
Flux Pavilion is a man in touch with his feelings. He prefers love over hate, chords over kick drums, and wants desperately to play for...
Techno’s vanguard opens up about his legacy as it comes full circle in the summer of 2015
Words: SARAH POLONSKY Portrait Pic: Courtesy of Cocoon Live Pics: ANDREW RAUNER
This man could be a double secret agent. It is...
It might officially be part of the United States, but Hawaii's Asylum club exists in a magical world of its own...
Hawaii may be America's 50th state but anyone who's been there will agree that it feels like a distant refuge from the US mainland. Two...
Features
DJ Mag spoke to two of the scene’s icons about their takes on the scene in 2013, their manifold future plans, and the enduring spirit...
When DJ Mag enters a disused pub in south-east London’s Rotherhithe, we find LTJ Bukem has arrived early and is waiting patiently for us on a sofa in the pub’s old bar area. A true originator of drum & bass, Bukem, aka Danny Williamson, then throws himself into his part of the photo-shoot in a small, sparsely-lit room, which, much to everyone’s amusement, was once the gents’ toilets in the now-converted boozer.
If anyone knows how to throw a party for WMC it's Robbie Rivera, whose Nikki Beach partyathon is one of the juiciest gigs during conference...
Track by track
Robbie guides us through the tracks he's selected for this issue's covermount CD…
1. Robbie Rivera The Hum Melody
"'The...
DJmag's Jonnie Parker catches up with James Zabiela before his One+One set with Nick Fanciulli.
Listen to the interview here AUDIO
DJ Mag.
Yes yes, it's myself Jonnie Parker, we're down here at the DJ Mag Top 100 DJs party...
Cover Features
Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars
Cover Features
Before COVID turned the world upside down, Avalon Emerson was so busy DJing, touring, producing and remixing, she was close to burnout — but the...
DJ, producer and party founder Enzo Siragusa has come a long way from his early days raving in warehouses, but he’s never forgotten his roots...
Features
Released on 21st June 1999, The Chemical Brothers’ third album harnessed the enormity of trance, the ecstasy of acid house, and the vibrancy of psychedelia to become their boldest statement, and a mirror to the hedonistic mood of the UK at that time. Here, with the help of the duo’s Tom Rowlands, Ben Cardew reflects on its legacy
Features
The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how