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Through its nurturing of new superstars like Aitch and other young local talent, Manchester’s NQ has become a veritable institution of modern UK rap, helping elevate regional artists across the UK. James Keith meets members of the crew during a recent takeover at the legendary Abbey Road Studios, and heads to NQ’s northern base to discover the secret to its success

The California-raised producer Channel Tres is a natural born trailblazer. As the name behind Compton House, he’s found admirers for his self-coined genre within funk, hip-hop and pop audiences. In his forthcoming album ‘Head Rush’, he’s expanding upon that diverse aesthetic by tapping into his divine intuition to tell his life story and introduce the world to new depths of his musicality

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks

From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders

DJ Mag’s Miami Music Week pool party is taking place at the Sagamore Hotel on Wednesday (20th March), in association with Epic Pool Parties, and we’ve again pulled in a top-notch line-up for the festivities. Here we catch up with every artist playing at the party: ANOTR, AQUTIE, Chloé Caillet, Joseph Capriati, Louie Vega, and Ms. Mada

The UK festival landscape is in crisis, with over 40 events cancelled ahead of this year’s season according to recent figures from the Association of Independent Festivals. Amidst the insurmountable rise in the price of production, and the ongoing cost of living crisis, how are organisers and punters feeling about the current situation? What has caused it? And what solutions are being considered that will help us save the sector?

Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning

It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?