No matter how many times they told it, the story of Daft Punk’s transformation into robots around the time of Discovery’s recording didn’t get any...
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Daft Punk have taken on a robot form for so long that it's hard to remember a time that they didn't don their famous helmets...
Features
Overcoming Pakistan's conservative mindset and sometimes-dangerous political tensions, a small group of artists are building a future for electronic music in Karachi
For long-serving Berlin techno queen Ellen Allien, a return to the physical — in both the way she plays and makes music — has re-energised...
She's been playing gigs in record shops, buying and playing lots of vinyl, and made her new album, 'Nost', using mainly analogue equipment. Her seventh...
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He’s the ultra-chic Parisian DJ with a long-standing penchant for disco, and now Dimitri From Paris is back in Ibiza once again to headline Defected’s Glitterbox residency...
Honing his legacy as a DJ playing forward-thinking house records on French radio in the ‘80s, Dimitri From Paris has made a name for himself...
Cover Features
DJ Mag spends an evening with veteran house producer and maverick DJ Kerri Chandler. The force behind labels Madhouse, MadTech and Kaoz Theory’s home studio is bursting...
The lower floor of Kerri Chandler’s house looks like the backstage production labyrinth of a massive arena. Hallway after hallway, shelf after shelf, room after room, there are stacks...
Jungle Brothers 'I'll House You' – produced by Todd Terry (Idlers, 1988) The JBs essentially added a rap to Todd's early house classic 'Can You...
Todd Terry started DJing around his home city of New York in the mid-'80s. “When I started — around '84, '85 — I was just...
<p>Hercules & Love Affair’s new album is a neo disco, four-to-the-floor opus </p>
It might be a long time since the word discotheque was shortened to ‘disco’ and nightclubbing became ‘clubbing’, then ‘raving’, but in all that time...
UK producer Will Holland shot to fame as Quantic with a blend of lush electronic beats and fiery Afrobeat rhythms. Then a trip to Colombia...
After years making live funk, reggae and cumbia influenced by his experience there, he's returned to the Quantic moniker and to the world of electronic...
Hercules & Love Affair’s new album features songs about heartbreak, love, freedom and feminism.
It might be a long time since the word discotheque was shortened to ‘disco’ and nightclubbing became ‘clubbing’, then ‘raving’, but in all that time...
An in-depth talk with the Hyperdub main man about his new album with Spaceape, 'Black Sun'...
With their new album ‘Black Sun’, Hyperdub’s Kode9 & the Spaceape have left tired genre pigeonholes behind, switched up their sound and conjured a bright...
Features
J Dilla changed music with his unique production style and wonky beat patterns. Ahead of an expansive new book on his life and art, Marke Bieschke talks to author Dan Charnas about the enigmatic artist’s impact
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Beyond the clubs and festivals, Miami has a vast number of great restaurants, cafes, bars and diverse attractions to offer. Here are our recommendations, with...
New York may be known as the city that never sleeps, but with lax liquor laws that allow for drinking until 5am, and a cornucopia...
Youth and popularity - the fabric that makes up today's music industry. Enter Madeon, he's young, he's popular. Yet, in our five-hour conversation with the...
In under 10 minutes of speaking to Hugo Leclercq, the man behind the construction known as Madeon, it is clear the musical phenom is, inarguably...
Features
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in
Features
Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”